Pann, Carter, Emerald's on Artemis for Solo Harp |
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| Emerald's on Artemis for Solo Harp |
| 1 Available |
The inscription above Carter Pann's Emerald's on Artemis reads "A music box for Emerald Weber (born 18 June, 2010) on Morgan Black's harp Artemis." The title of this 2010 composition is a bit cryptic, but Artemis is the given name of harpist Morgan Black's instrument. The music is both out-and-out tender and exuberant, clearly celebrating the birth of Emerald, the first daughter of one of Pann's dear childhood friends. |
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The inscription above Carter Pann's Emerald's on Artemis reads "A music box for Emerald Weber (born 18 June, 2010) on Morgan Black's harp Artemis." The title of this 2010 composition is a bit cryptic, but Artemis is the given name of harpist Morgan Black's instrument. The music is both out-and-out tender and exuberant, clearly celebrating the birth of Emerald, the first daughter of one of Pann's dear childhood friends. |
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Paret, Betty, First Harp Book |
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| Introductory level book for the young beginner |
| Available |
A staple of many harp teachers' beginner books, the first harp book is great for the young beginner. Can be used for either lever or pedal harp study. 37 pages. |
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A staple of many harp teachers' beginner books, the first harp book is great for the young beginner. Can be used for either lever or pedal harp study. 37 pages. |
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Parish Alvars, Elias; ed. Susan Mildonian, Serenade, Op. 73 |
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| Serenade, Op. 73 |
| 1 Available |
English harpist Elias Parish-Alvars (1808-1849) was one of the earliest virtuosos of the (then) newly invented double-action pedal harp. Known as the "Liszt of the harp," he pioneered many of the techniques that are today considered standard in classical harp performance, including glissandos, harmonics, and enharmonic trills. |
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English harpist Elias Parish-Alvars (1808-1849) was one of the earliest virtuosos of the (then) newly invented double-action pedal harp. Known as the "Liszt of the harp," he pioneered many of the techniques that are today considered standard in classical harp performance, including glissandos, harmonics, and enharmonic trills. |
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Pascal, Claude, Musique Pour Harpe |
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| Large scale solo for advanced pedal harp |
| 2 Available |
This piece featuring quick rhythms and open octaves has a unique flavor. It is powerful, yet vibrant and not too heavy. For advanced pedal harp. Many pedal changes. 13 pages. |
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This piece featuring quick rhythms and open octaves has a unique flavor. It is powerful, yet vibrant and not too heavy. For advanced pedal harp. Many pedal changes. 13 pages. |
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Perri, Christina; arr. Sylvia Woods, A Thousand Years from "The Twilight Saga: Breaking Dawn, Part 1" |
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| Thousand Years from "The Twilight Saga: Breaking Dawn, Part 1" (A) |
| 2 Available |
The romantic ballad "A Thousand Years" was first used during the credits of The Twilight Saga: Breaking Dawn - Part 1 film, and was included in the original motion picture soundtrack. It was composed by Christina Perri and David Hodges. Fans of the Twilight series have made it the unofficial theme song for the romance between the characters of Bella and Edward. It is currently a popular song for weddings. |
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The romantic ballad "A Thousand Years" was first used during the credits of The Twilight Saga: Breaking Dawn - Part 1 film, and was included in the original motion picture soundtrack. It was composed by Christina Perri and David Hodges. Fans of the Twilight series have made it the unofficial theme song for the romance between the characters of Bella and Edward. It is currently a popular song for weddings. |
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