Harp Sheet Music By Composer - Arranger 

Bold sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp, but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 12 pages.

Substantial sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Pedal changes are not numerous, they are marked and most are not difficult. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp - lots of Alberti base figures, broken octave and chords and the like - but helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is moderate in the outer movements and there is quite a lot of it in the second movement. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 16 pages.

Lovely sonata for flute and harp with a delicate slower second movement. For pedal harpists with strong technique. Very few pedal changes, these are marked. As is typical with harp music of the early classical period, this is keyboard writing applied to the harp - lots of Alberti base figures, the Adagio second movement has passages of parallel thirds, sixths, fourths, most of these can be taken with two hands. Helpful fingerings for the more problematic passages are given by editor Holly Avesian. Ornamentation is sparse. Flute part is printed above the harp part . Flute part - which could be played by violin or oboe as well - is included as a separate part. Harp part is 16 pages.

These exercises are intended for warming up the fingers, they do not require pedal changes, but use the full range of a pedal harp, so even a large lever harp would require octave transposition. 16 intermediate level exercises with techniques like placing two sets of intervals with one hand, scales using different fingering combinations in different tempi, playing a fingering pattern using different rhythms, cross finger placements, rhythms of two against three, three against four, exercises for finger independence and arpeggios. Learn some new daily warm ups! 22 pages.

André Jolivet (1905-1974) was a French composer interested in acoustics and atonality. He studied with the composer Edgard Varese - Varese was a very good friend of legendary harpist Carlos Salzedo. Jolivet's works for solo instruments are known for the technical virtuosity they demand from the performer. This work for solo harp is full of pedal changes and sophisticated harmonies.