Harp Sheet Music By Composer - Arranger 

This piece makes full use of the range of the pedal harp, giving it a wonderfully unique, almost displaced, feel. For advanced pedal harp. Many pedal changes. 5 pages.

These short pieces fall into the category of the concert etude. One of the selections would be appropriate for an intermediate level player, but the rest are for the advanced pedal harpist. The first section has six short studies that include large rolled chords, an octave study, two note phrasing, arpeggios covering multiple octaves. The second section of the book has two more complex concert etudes. Some of the etudes are in multiple sections and are in a tranquil vein. These could be appropriate and interesting for use in a worship setting for a prelude or short interlude. All of the selections are tonal and the basic harmonic language is triadic, but many are quite chromatic. There are no fingerings or pedal markings given. Beautifully printed. A very worthwhile addition to the concert etude literature.

Warn and lively music for flute and harp to accompany joyful events. These scores are arrangements of party tunes composed by classical masters.

A concerto for harp composed by Alberto Ginastera. This work was written for harpist Nicanor Zabaleta and was premiered by Zabaleta and the Philadelphia Orchestra under the baton of Eugene Ormandy at the Academy of Music in Philadelphia on February 8th, 1965.

This original composition by Alexander Glazunov (1865-1936) for three harps was written for the Marinel Trio, three sisters who emigrated from Russia in their twenties. As young children, they were educated in Paris along with their harp studies. This publication, edited by Dewey Owens is a really wonderful additional to the repertory of any intermediate level pedal harp ensemble. The parts could also be divided to provide easier arrangements for more ensemble members.