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Gibson, Pamela, Gather, Good Neighbors, All Vol. 2

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Gather, Good Neighbors, All Vol. 2
4 Available

Warn and lively music for flute and harp to accompany joyful events. These scores are arrangements of party tunes composed by classical masters.

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Warn and lively music for flute and harp to accompany joyful events. These scores are arrangements of party tunes composed by classical masters.

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Rodgers and Hammerstein; arr. Beverly Myrow, Getting to Know You for Two Pedal Harps

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Getting to Know You for Two Pedal Harps
1 Available

Spice up your harp ensemble performances with this really fun, great arrangement for pedal harp of this great tune! Both harp parts are sight readable by the intermediate pedal harpist. Take a look at the samples and see for yourself! Arranger Beverly Myrow is a seasoned pedal harpist, Julliard trained, and has an ear for unique modern harmonies.

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Spice up your harp ensemble performances with this really fun, great arrangement for pedal harp of this great tune! Both harp parts are sight readable by the intermediate pedal harpist. Take a look at the samples and see for yourself! Arranger Beverly Myrow is a seasoned pedal harpist, Julliard trained, and has an ear for unique modern harmonies.

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Radspinner, Mary (arr.), Girls and Whistles

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Celtic tunes for harp and two C treble instruments
1 Available

In response to St. Patrick's Day requests, Mary Radspinner has come up with this collection of trios for harp and two C treble instruments. The harp parts are relatively easy, the melody parts are more intricate. These are both fun and versatile arrangements. For advanced beginner to early intermediate lever harp, also playable on pedal harp. 33 pages.

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In response to St. Patrick's Day requests, Mary Radspinner has come up with this collection of trios for harp and two C treble instruments. The harp parts are relatively easy, the melody parts are more intricate. These are both fun and versatile arrangements. For advanced beginner to early intermediate lever harp, also playable on pedal harp. 33 pages.

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Curcio, Stephanie, Go Tell it on the Mountain

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Traditional Christmas carol arranged for beginner level harp duo
2 Available

An arrangement from Curcio's "Duet Carols For Joy" series. The traditional carol "Go Tell it on the Mountain" for two harps. For advanced beginner level pedal or lever harp. Curcio manages to produce an interesting, flavorful sound while still being simple enough to be accessible to beginners. These carols are an excellent opportunity for beginners to learn to play with others at a manageable difficulty level. Separate inserts for harp 1 and 2, as well as a full score of both parts. 4 pages total.

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An arrangement from Curcio's "Duet Carols For Joy" series. The traditional carol "Go Tell it on the Mountain" for two harps. For advanced beginner level pedal or lever harp. Curcio manages to produce an interesting, flavorful sound while still being simple enough to be accessible to beginners. These carols are an excellent opportunity for beginners to learn to play with others at a manageable difficulty level. Separate inserts for harp 1 and 2, as well as a full score of both parts. 4 pages total.

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Dizi, Francois-Joseph; arr. Marielle Nordmann, Grande Sonate

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Major late classical solo work for pedal harp
3 Available

A large scale work in late classical era style. Classic 19th century harmonic language. Several pedal changes. Three movements: I. Allegro Agitato, II. Andantino, III. Rondo. The Andantino is charming and would be approachable by an intermediate level harpist, but the outer movements contain extended scale passages, cross finger placements and other figures typical in 19th century keyboard style music which are not easy to play cleanly up to tempo. As the composer was a harpist, these passages are at least written with eight finger technique so they are entirely playable. 20 pages.

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A large scale work in late classical era style. Classic 19th century harmonic language. Several pedal changes. Three movements: I. Allegro Agitato, II. Andantino, III. Rondo. The Andantino is charming and would be approachable by an intermediate level harpist, but the outer movements contain extended scale passages, cross finger placements and other figures typical in 19th century keyboard style music which are not easy to play cleanly up to tempo. As the composer was a harpist, these passages are at least written with eight finger technique so they are entirely playable. 20 pages.

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