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Bizet; arr. Robert Swain, Habanera from Carmen

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Habanera from Carmen
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One of opera's most passionate and sultry arias arranged for harp ensemble (four harps - parts can be divided to add more harpists).

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One of opera's most passionate and sultry arias arranged for harp ensemble (four harps - parts can be divided to add more harpists).

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Cohen, Leonard; arr. Sylvia Woods, Hallelujah

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Hallelujah
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Sylvia Woods' 6-page arrangement of this classic song can be played by harpists of all levels. The first verse is easy, and each subsequent verse gets a bit more advanced. Beginners can play the first 1 or 2 verses, and more advanced players can continue on to the later verses. There are a total of 4 verses, and you may also repeat any verses that you'd like.

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Sylvia Woods' 6-page arrangement of this classic song can be played by harpists of all levels. The first verse is easy, and each subsequent verse gets a bit more advanced. Beginners can play the first 1 or 2 verses, and more advanced players can continue on to the later verses. There are a total of 4 verses, and you may also repeat any verses that you'd like.

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Handel; arr. Daniel Burton, A Handel Album

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Handel compositions arranged for early intermediate pedal harp
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Georg Freidrich Handel compositions arranged for pedal harp by Daniel Burton. These four pieces provide a glimpse into the many genres Handel wrote for - there are two selections from his operas, a religious piece, and a popular dance tune. Overall they are all lovely classical pieces and would be appropriate for an early intermediate pedal harpist. 12 pages.

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Georg Freidrich Handel compositions arranged for pedal harp by Daniel Burton. These four pieces provide a glimpse into the many genres Handel wrote for - there are two selections from his operas, a religious piece, and a popular dance tune. Overall they are all lovely classical pieces and would be appropriate for an early intermediate pedal harpist. 12 pages.

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Berlioz, Hector, Harold in Italy, Op. 16

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Harold in Italy, Op. 16
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The orchestral harp part for Hector Berlioz's Harold in Italien (Harold in Italy), described as a "Symphony in four parts with a viola-solo." The harp plays a very important role in this work, accompanying the viola during its solo moments. In fact, the harp is often placed out in front of the orchestra during performances of this work in order to be closer to the violist.

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The orchestral harp part for Hector Berlioz's Harold in Italien (Harold in Italy), described as a "Symphony in four parts with a viola-solo." The harp plays a very important role in this work, accompanying the viola during its solo moments. In fact, the harp is often placed out in front of the orchestra during performances of this work in order to be closer to the violist.

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Ginastera, Alberto, Harp Concerto

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Harp Concerto
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A concerto for harp composed by Alberto Ginastera. This work was written for harpist Nicanor Zabaleta and was premiered by Zabaleta and the Philadelphia Orchestra under the baton of Eugene Ormandy at the Academy of Music in Philadelphia on February 8th, 1965.

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A concerto for harp composed by Alberto Ginastera. This work was written for harpist Nicanor Zabaleta and was premiered by Zabaleta and the Philadelphia Orchestra under the baton of Eugene Ormandy at the Academy of Music in Philadelphia on February 8th, 1965.

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