Robinson, Meg, Dance of the Harps |
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| Dance of the Harps |
| 2 Available |
A work for thee-harp ensemble by Meg Robinson. The piece can be played by an ensemble of beginning to intermediate lever or pedal harpists, as each of the three parts is written with a different degree of technical difficulty. |
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A work for thee-harp ensemble by Meg Robinson. The piece can be played by an ensemble of beginning to intermediate lever or pedal harpists, as each of the three parts is written with a different degree of technical difficulty. |
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Robinson, Meg, Dance of the Night |
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| Dance of the Night |
| 2 Available |
This original composition is part of Meg Robinson's "Melodies for Sophisticated Strings" series. This double-sided edition includes versions of this piece in either c minor or b minor and is perfect for the intermediate pedal or lever harpist. 4 pages, no pedal or lever changes. |
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This original composition is part of Meg Robinson's "Melodies for Sophisticated Strings" series. This double-sided edition includes versions of this piece in either c minor or b minor and is perfect for the intermediate pedal or lever harpist. 4 pages, no pedal or lever changes. |
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Robbins, Carol (arr.), Danny Boy, Jazz Arr. for Harp |
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| Carol Robbins arrangement of Irish ballad for solo pedal harp |
| 1 Available |
The classic Irish ballad is given a light jazz treatment. Offers two options for coda section. Challenging, but well-suited for the strong intermediate level pedal harpist. Meticulous attention given to passing tones in inner voices, resulting in a complex, rich texture. Many pedal changes, these are marked. 5 pages. |
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The classic Irish ballad is given a light jazz treatment. Offers two options for coda section. Challenging, but well-suited for the strong intermediate level pedal harpist. Meticulous attention given to passing tones in inner voices, resulting in a complex, rich texture. Many pedal changes, these are marked. 5 pages. |
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Renie, Henriette, Danse des Lutins |
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| Danse des Lutins |
| 2 Available |
This work, whose title translates to "Dance of the Sprites," is a lovely example of Renie's beautiful and virtuosic compositional style. The piece consists of sweeping gestures in the harp's upper register while the left hand plays chordal and arpeggiated accompaniment figures. |
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This work, whose title translates to "Dance of the Sprites," is a lovely example of Renie's beautiful and virtuosic compositional style. The piece consists of sweeping gestures in the harp's upper register while the left hand plays chordal and arpeggiated accompaniment figures. |
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Andres, Bernard, Danses d'Automne |
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| Danses d'Automne |
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Born in 1941 in Belfort France, near the Swiss and German, Bernard Andres studied at the Conservatoires of Besancon, Strasburg and Paris, where he won a first prize for harp. He was engaged as a soloist in the Orchestre Philarmonique de Radio-France, while pursuing a composing career as well. Bernard Andres is today a leading composer of music for the harp. He writes in a variety of styles for harpists of all skill levels, and has developed his own notation style and a number of special harp effects. Andres is also a noted teacher who has influenced an entire generation of French harpists. His books are well-known required repertoire for most harp students in France, and are great for recitals. |
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Born in 1941 in Belfort France, near the Swiss and German, Bernard Andres studied at the Conservatoires of Besancon, Strasburg and Paris, where he won a first prize for harp. He was engaged as a soloist in the Orchestre Philarmonique de Radio-France, while pursuing a composing career as well. Bernard Andres is today a leading composer of music for the harp. He writes in a variety of styles for harpists of all skill levels, and has developed his own notation style and a number of special harp effects. Andres is also a noted teacher who has influenced an entire generation of French harpists. His books are well-known required repertoire for most harp students in France, and are great for recitals. |
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