Damase, Jean Michel, Etude de Concert, Op. 14 |
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| Etude de Concert, Op. 14 |
| 1 Available |
This concert etude, by Jean-Michel Damase, bears many similarities to Hasselmans La Source. This piece consists of 16th and 32nd note arpeggios running upwards and downwards in a flowing style with a melody in octaves. This work would be an excellent recital selection to showcase a performer's technical skill and musicality. |
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This concert etude, by Jean-Michel Damase, bears many similarities to Hasselmans La Source. This piece consists of 16th and 32nd note arpeggios running upwards and downwards in a flowing style with a melody in octaves. This work would be an excellent recital selection to showcase a performer's technical skill and musicality. |
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Debussy, Claude, Danses Sacree et Profane - Full Score Harp and Orchestra |
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| Debussy Danses in full score for study purposes |
| 2 Available |
This piece is an often requested work for the advanced pedal harpist. A great piece to showcase your abilities as well as being a beautiful piece of music. It is for solo harp and accompaniment, but the harp part can be played alone and be just as effective. For advanced pedal harp. Contains many accidentals. |
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This piece is an often requested work for the advanced pedal harpist. A great piece to showcase your abilities as well as being a beautiful piece of music. It is for solo harp and accompaniment, but the harp part can be played alone and be just as effective. For advanced pedal harp. Contains many accidentals. |
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Debussy, Claude, Danses Sacree et Profane (String Parts) |
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| Danses Sacree et Profane (String Parts) |
| 1 Available |
This piece is an often requested work for the advanced pedal harpist. A great piece to showcase your abilities as well as being a beautiful piece of music. It is for solo harp and accompaniment. |
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This piece is an often requested work for the advanced pedal harpist. A great piece to showcase your abilities as well as being a beautiful piece of music. It is for solo harp and accompaniment. |
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Debussy, Claude, Sonate for flute, viola and harp |
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| Impressionist piece for flute, viola and advanced level pedal harp |
| 2 Available |
This work for flute, viola and harp was composed by Claude Debussy in 1915, very near the end of his life and the end of the First World War. Signed Claude Debussy, Musicien Francais (Claude Debussy, French Musician), this work is the embodiment of French Chamber music and is one of the most famous and significant chamber works for harp. |
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This work for flute, viola and harp was composed by Claude Debussy in 1915, very near the end of his life and the end of the First World War. Signed Claude Debussy, Musicien Francais (Claude Debussy, French Musician), this work is the embodiment of French Chamber music and is one of the most famous and significant chamber works for harp. |
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Debussy, Claude; arr. Grandjany, La Fille Aux Cheveux de Lin (The Girl with Flaxen Hair) |
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| Grandjany arrangement of famous piano work for solo pedal harp |
| 1 Available |
Grandjany's arrangement from Debussy's Preludes for piano, "The Girl with Flaxen Hair." An introspective an unforgettably beautiful piece that translates very effectively to the harp. For strong intermediate pedal harp, good counting skills and interpretive maturity are called for. Some pedal changes. 3 pages. |
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Grandjany's arrangement from Debussy's Preludes for piano, "The Girl with Flaxen Hair." An introspective an unforgettably beautiful piece that translates very effectively to the harp. For strong intermediate pedal harp, good counting skills and interpretive maturity are called for. Some pedal changes. 3 pages. |
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