Bach, C.P.E.; arr. Marie Miller, Solfeggietto |
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| Toccata style piece transcribed for solo pedal harp |
| 3 Available |
A toccata style keyboard piece by C.P.E. Bach transcribed by Marie Miller. A great technique buillder for the intermediate level harpist; this piece is a challenge to play cleanly up to tempo. This transcription has become a standard for intermediate level harpists building their skills towards advanced levels. Moderate amount of pedal changes. 5 pages. |
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A toccata style keyboard piece by C.P.E. Bach transcribed by Marie Miller. A great technique buillder for the intermediate level harpist; this piece is a challenge to play cleanly up to tempo. This transcription has become a standard for intermediate level harpists building their skills towards advanced levels. Moderate amount of pedal changes. 5 pages. |
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Bach, C.P.E.; ed. Marcel Grandjany, Sonate for Harp |
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| Sonate for Harp |
| 2 Available |
An edition of this Sonata for Harp by C.P.E. Bach, composed in 1762, edited by Marcel Grandjany. Suitable for advanced pedal harps, this edition includes realizations, fingerings and pedal markings carefully chosen by Grandjany to allow the harpist to play this piece comfortably while remaining true to the composer's original intentions. |
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An edition of this Sonata for Harp by C.P.E. Bach, composed in 1762, edited by Marcel Grandjany. Suitable for advanced pedal harps, this edition includes realizations, fingerings and pedal markings carefully chosen by Grandjany to allow the harpist to play this piece comfortably while remaining true to the composer's original intentions. |
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Bach, J.S. trans. M. Jamet, Suite in E-flat No. I |
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| Baroque dance suite transcribed by Marie-Claire Jamet |
| 1 Available |
A lively baroque dance suite by J.S. Bach in E flat minor. Transcribed for pedal harp by Marie-Claire Jamet. Suitable for late intermediate level pedal harp. Contains a fair amount of pedal changes, these are marked. 9 pages. |
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A lively baroque dance suite by J.S. Bach in E flat minor. Transcribed for pedal harp by Marie-Claire Jamet. Suitable for late intermediate level pedal harp. Contains a fair amount of pedal changes, these are marked. 9 pages. |
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Bach, J.S.; arr. Grandjany, Etudes for Harp |
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| Concert etudes for solo pedal harp |
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A standard for the intermediate to advanced pedal harpist. Marcel Grandjany presents a group of 12 concert etudes based on the Sonatas and Partitas for solo violin by J. S. Bach. These etudes are commonly drawn upon for concert repertoire. Excellent material to enhance technical development. Some of the pieces work well as wedding music. 63 pages. |
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A standard for the intermediate to advanced pedal harpist. Marcel Grandjany presents a group of 12 concert etudes based on the Sonatas and Partitas for solo violin by J. S. Bach. These etudes are commonly drawn upon for concert repertoire. Excellent material to enhance technical development. Some of the pieces work well as wedding music. 63 pages. |
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Bach, J.S.; arr. Marcel Grandjany, Largo (from Sonata No. 5 for Violin) |
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| Largo (from Sonata No. 5 for Violin) |
| 3 Available |
An arrangement of the Largo from Bach's Sonata No. 5 for violin, arranged for harp by Marcel Grandjany using the piano transcription of Camille Saint-Saens. Suitable for intermediate-advanced pedal harpists. |
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An arrangement of the Largo from Bach's Sonata No. 5 for violin, arranged for harp by Marcel Grandjany using the piano transcription of Camille Saint-Saens. Suitable for intermediate-advanced pedal harpists. |
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