Tailleferre, G., Sonata pour Harpe |
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Sonata pour Harpe |
3 Available |
This incredible sonata by French composer Germaine Tailleferre is dedicated to the legendary Basque harpist Nicanor Zabaleta. |
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This incredible sonata by French composer Germaine Tailleferre is dedicated to the legendary Basque harpist Nicanor Zabaleta. |
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Tepper, Ellen, Drewrie's Accordes |
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16th century lute piece for harp ensemble, harp with treble instrument |
2 Available |
From Jane Pickering's Lute Book (c. 1616), arranged by Ellen Tepper. Lutist Jane Pickering was associated with the court of Henry, Prince of Wales. This piece is from her notebook. Arranged in several ways for harps in various combinations: a duet with equally challenging parts, a trio with harps I and II in treble clef only, and harp III as an accompaniment part. A score is included for study or conducting. Also includes a duet for harp and C treble instrument ( flute, violin, recorder etc.) All arrangements for either pedal or lever harp, there are just a few lever or pedal changes. Range is from C an octave below middle C to first C above the treble staff, suitable for most 26-string models with levers on C, F and G. The parts are of varying difficulty to accommodate a range of playing levels. Pedal notations are below the staff, and lever changes indicated by diamond-shaped notes. 17 pages |
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From Jane Pickering's Lute Book (c. 1616), arranged by Ellen Tepper. Lutist Jane Pickering was associated with the court of Henry, Prince of Wales. This piece is from her notebook. Arranged in several ways for harps in various combinations: a duet with equally challenging parts, a trio with harps I and II in treble clef only, and harp III as an accompaniment part. A score is included for study or conducting. Also includes a duet for harp and C treble instrument ( flute, violin, recorder etc.) All arrangements for either pedal or lever harp, there are just a few lever or pedal changes. Range is from C an octave below middle C to first C above the treble staff, suitable for most 26-string models with levers on C, F and G. The parts are of varying difficulty to accommodate a range of playing levels. Pedal notations are below the staff, and lever changes indicated by diamond-shaped notes. 17 pages |
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Tepper, Ellen, The Harper's Accomplice Gets the Lute |
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Harper's Accomplice Gets the Lute (The) |
1 Available |
Another collection of fine historical music edited by Ellen Tepper. This collection consists of 17th century lute music by Nicolas Vallet. The book has been designed to be played as a suite on either lever or pedal harp. The music was composed early in the 1600's as dance music. Little is known of the composer, except that he was French by birth, and lived in exile in Amsterdam as did many French Protestants (Huguenots). He taught lute and ran a dancing school. |
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Another collection of fine historical music edited by Ellen Tepper. This collection consists of 17th century lute music by Nicolas Vallet. The book has been designed to be played as a suite on either lever or pedal harp. The music was composed early in the 1600's as dance music. Little is known of the composer, except that he was French by birth, and lived in exile in Amsterdam as did many French Protestants (Huguenots). He taught lute and ran a dancing school. |
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Tepper, Ellen, Sheep May Safely Graze |
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Multi-level arrangement of Bach piece for harp ensemble |
2 Available |
This lovely aria has been arranged for four lever or pedal harps with an optional fifth part that plays only chords. All parts include fingerings. Very suitable for mixed level ensembles found in a harp circle or a group of students. 4 page score, 14 pages total. |
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This lovely aria has been arranged for four lever or pedal harps with an optional fifth part that plays only chords. All parts include fingerings. Very suitable for mixed level ensembles found in a harp circle or a group of students. 4 page score, 14 pages total. |
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Tepper, Ellen, Auld Lang Syne |
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Set of variations on Auld Lang Syne for beginner level pedal or lever harp |
2 Available |
A compilation of four variations on the tune of Auld Lang Syne each with different levels of difficulty from starting beginner to experienced beginner, in the key of D. Var.1 uses the Scottish snap and rolled chords. Var. 2 uses a moving pattern of eighth notes in the right hand. Var. 3 has harmonics throughout the entire left hand with triad and triads in the right hand. Var. 4 uses majestic rolled chords and arpeggios throughout. A very nice solo addition. 4 pages. |
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A compilation of four variations on the tune of Auld Lang Syne each with different levels of difficulty from starting beginner to experienced beginner, in the key of D. Var.1 uses the Scottish snap and rolled chords. Var. 2 uses a moving pattern of eighth notes in the right hand. Var. 3 has harmonics throughout the entire left hand with triad and triads in the right hand. Var. 4 uses majestic rolled chords and arpeggios throughout. A very nice solo addition. 4 pages. |
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