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Harp Sheet Music By Composer - Arranger 

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Oberthür, Le Sylphe, Morceau gracieux

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Le Sylphe, Morceau gracieux
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Charles Oberthür (1819-1895) was one of the best-known of nineteenth-century harpists and a prolific composer for his instrument. Born in Munich, he held appointments at Zurich and Wiesbaden before settling in London in 1844. At the forefront of English harp playing and teaching for the next fifty years he also maintained strong European connections, teaching at the Paris and Brussels conservatories, touring extensively and visiting numerous courts and festivals. His private pupils included Princess Stephanie (wife of Crown Prince Rudolph of Austria) and the Duchess of Wellington. In 1884 he toured the USA.

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Charles Oberthür (1819-1895) was one of the best-known of nineteenth-century harpists and a prolific composer for his instrument. Born in Munich, he held appointments at Zurich and Wiesbaden before settling in London in 1844. At the forefront of English harp playing and teaching for the next fifty years he also maintained strong European connections, teaching at the Paris and Brussels conservatories, touring extensively and visiting numerous courts and festivals. His private pupils included Princess Stephanie (wife of Crown Prince Rudolph of Austria) and the Duchess of Wellington. In 1884 he toured the USA.

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Oberthür, Sur la Rive de la Mer, Impromptu Op. 117

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Sur la Rive de la Mer, Impromptu Op. 117
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Charles Oberthür (1819-1895) was one of the best-known of nineteenth-century harpists and a prolific composer for his instrument. Born in Munich, he held appointments at Zurich and Wiesbaden before settling in London in 1844. At the forefront of English harp playing and teaching for the next fifty years he also maintained strong European connections, teaching at the Paris and Brussels conservatories, touring extensively and visiting numerous courts and festivals. His private pupils included Princess Stephanie (wife of Crown Prince Rudolph of Austria) and the Duchess of Wellington. In 1884 he toured the USA.

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Charles Oberthür (1819-1895) was one of the best-known of nineteenth-century harpists and a prolific composer for his instrument. Born in Munich, he held appointments at Zurich and Wiesbaden before settling in London in 1844. At the forefront of English harp playing and teaching for the next fifty years he also maintained strong European connections, teaching at the Paris and Brussels conservatories, touring extensively and visiting numerous courts and festivals. His private pupils included Princess Stephanie (wife of Crown Prince Rudolph of Austria) and the Duchess of Wellington. In 1884 he toured the USA.

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Orrego-Salas, Juan, Variations on a Chant, Op. 92

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Variations on a Chant, Op. 92
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Juan Antonio Orrego Salas is a Chilean composer of contemporary classical music and musicologist. He was a student of Randall Thompson and Aaron Copland in the United States, and later settled in Indiana, where he co-founded the Latin American Music Center.

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Juan Antonio Orrego Salas is a Chilean composer of contemporary classical music and musicologist. He was a student of Randall Thompson and Aaron Copland in the United States, and later settled in Indiana, where he co-founded the Latin American Music Center.

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Owens, Dewey, Little Red Lark

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Solo for beginning lever or pedal harp
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A two page arrangement of lovely tune "The Little Red Lark" for beginner lever or pedal harp. No lever or pedal changes.

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A two page arrangement of lovely tune "The Little Red Lark" for beginner lever or pedal harp. No lever or pedal changes.

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Owens, Dewey, Purcell for Harp

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Solos by Purcell transcribed for pedal harp, some for lever harp
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These 20 pieces are transcribed for harp from the keyboard music of Henry Purcell. A delightful collection, ideal for adding to your gig repertoire. The first seven pieces in this volume are playable on the lever harp without further editing and the rest are for pedal harp. Suitable for intermediate level. Good source of technical material, especially for independence of the hands. 24 pages.

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These 20 pieces are transcribed for harp from the keyboard music of Henry Purcell. A delightful collection, ideal for adding to your gig repertoire. The first seven pieces in this volume are playable on the lever harp without further editing and the rest are for pedal harp. Suitable for intermediate level. Good source of technical material, especially for independence of the hands. 24 pages.

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