Zabel, Albert, La Source |
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| La Source |
| 2 Available |
Harpist and composer Albert Zabel, who developed the Russian technique of harp playing was the harpist for the ballet orchestra of St. Petersburg in the 19th century. |
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Harpist and composer Albert Zabel, who developed the Russian technique of harp playing was the harpist for the ballet orchestra of St. Petersburg in the 19th century. |
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Zarick, M. J., The Lap Harp Companion |
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| Lap Harp Companion (The) |
| 2 Available |
This comprehensive collection of music for lap harp is perfect for any harpist who plays a harp of 22 strings or more. With 50 beautiful melodies arranged for the beginner-intermediate lever harpist, you can't go wrong! |
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This comprehensive collection of music for lap harp is perfect for any harpist who plays a harp of 22 strings or more. With 50 beautiful melodies arranged for the beginner-intermediate lever harpist, you can't go wrong! |
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Zlatkovsky, S.D., Nocturne for Harp |
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| Nocturne for Harp |
| 2 Available |
The Nocturne for solo harp by Philadelphia harpist Saul Davis Zlatkovsky is a recent work with sophisticated musical ideas in a lyrical vein. The left hand runs resolutely through the whole piece turning into harmonics accompanied, Salzedo-style, by ongoing glissandi at the end. The composer was strongly impressed by the softer, expressive and flowing side of the Russian ballet school. He has captured the spirit of romantic inspiration, its dream state and soulfulness. |
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The Nocturne for solo harp by Philadelphia harpist Saul Davis Zlatkovsky is a recent work with sophisticated musical ideas in a lyrical vein. The left hand runs resolutely through the whole piece turning into harmonics accompanied, Salzedo-style, by ongoing glissandi at the end. The composer was strongly impressed by the softer, expressive and flowing side of the Russian ballet school. He has captured the spirit of romantic inspiration, its dream state and soulfulness. |
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