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Ginastera, Alberto, Harp Concerto

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Harp Concerto
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A concerto for harp composed by Alberto Ginastera. This work was written for harpist Nicanor Zabaleta and was premiered by Zabaleta and the Philadelphia Orchestra under the baton of Eugene Ormandy at the Academy of Music in Philadelphia on February 8th, 1965.

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A concerto for harp composed by Alberto Ginastera. This work was written for harpist Nicanor Zabaleta and was premiered by Zabaleta and the Philadelphia Orchestra under the baton of Eugene Ormandy at the Academy of Music in Philadelphia on February 8th, 1965.

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Glazunov; ed. Dewey Owens, Prelude and Romance for Three Harps

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Prelude and Romance for Three Harps
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This original composition by Alexander Glazunov (1865-1936) for three harps was written for the Marinel Trio, three sisters who emigrated from Russia in their twenties. As young children, they were educated in Paris along with their harp studies. This publication, edited by Dewey Owens is a really wonderful additional to the repertory of any intermediate level pedal harp ensemble. The parts could also be divided to provide easier arrangements for more ensemble members.

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This original composition by Alexander Glazunov (1865-1936) for three harps was written for the Marinel Trio, three sisters who emigrated from Russia in their twenties. As young children, they were educated in Paris along with their harp studies. This publication, edited by Dewey Owens is a really wonderful additional to the repertory of any intermediate level pedal harp ensemble. The parts could also be divided to provide easier arrangements for more ensemble members.

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Glinka, Mikhail, Variations on a Theme of Mozart and Nocturne (LHS)

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Variations on a Theme of Mozart and Nocturne (LHS)
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The Variations on a Theme of Mozart includes an alternate piano part so that harpists can choose between two versions. The Nocturne is the solo harp part only; this piece was originally written for piano but falls beautifully under the harpist's fingers. A truly gorgeous piece, the Nocturne has a lilting melody over an arpeggiated bass. The hands reverse towards the end of the piece, as right hand arpeggios complement a left-hand octave melody. Often a recital piece for classical harpists, this composition is a must-have for any pedal harpist.

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The Variations on a Theme of Mozart includes an alternate piano part so that harpists can choose between two versions. The Nocturne is the solo harp part only; this piece was originally written for piano but falls beautifully under the harpist's fingers. A truly gorgeous piece, the Nocturne has a lilting melody over an arpeggiated bass. The hands reverse towards the end of the piece, as right hand arpeggios complement a left-hand octave melody. Often a recital piece for classical harpists, this composition is a must-have for any pedal harpist.

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Glinka, Mikhail; ed. Dewey Owens, Variations on a theme of Mozart

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Variations on a theme of Mozart
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Mikhail Glinka's variations on a theme of Mozart for intermediate pedal harp.

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Mikhail Glinka's variations on a theme of Mozart for intermediate pedal harp.

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Gluck; arr. Salzedo, Caprice from Alceste

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Caprice from Alceste
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Carlos Salzedos' transcription for two harps of the "Caprice" from Christoph Willibald Gluck's 1767 opera Alceste. This idiomatic arrangement is suitable for intermediate level pedal or lever harpists. A lovely work in Gluck's "reform" classical style, each harp plays the well-known melody from this piece with chords and octaves substituting for the orchestral textures of the original.

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Carlos Salzedos' transcription for two harps of the "Caprice" from Christoph Willibald Gluck's 1767 opera Alceste. This idiomatic arrangement is suitable for intermediate level pedal or lever harpists. A lovely work in Gluck's "reform" classical style, each harp plays the well-known melody from this piece with chords and octaves substituting for the orchestral textures of the original.

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