Godefroid, Felix, Venise, Barcarolle |
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| Venise, Barcarolle |
| 1 Available |
Composer Felix Godefroid (1818-1897) was a Belgian harpist who was also a prolific composer. He studied the single-action pedal harp in Paris with François Joseph Naderman and then the recently developed double-action pedal harp with Elias Parish Alvars. |
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Composer Felix Godefroid (1818-1897) was a Belgian harpist who was also a prolific composer. He studied the single-action pedal harp in Paris with François Joseph Naderman and then the recently developed double-action pedal harp with Elias Parish Alvars. |
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Godefroid, Jules-Joseph, Bolero Brillant |
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| Bolero Brillant |
| 2 Available |
Jules-Joseph Godefroid (1811-1840) was a harpist and composer (brother of the more famous Felix Godefroid) who studied at the Paris Conservatory under the tutelage of François Joseph Naderman. |
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Jules-Joseph Godefroid (1811-1840) was a harpist and composer (brother of the more famous Felix Godefroid) who studied at the Paris Conservatory under the tutelage of François Joseph Naderman. |
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Granados, Enrique; arr. Carlos Salzedo, Spanish Dance No. 5 |
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| Spanish Dance No. 5 |
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A transcription for two or more harps by Carlos Salzedo of Enrique Granados' "Spanish Dance No. 5." The parts are suitable for intermediate-advanced or advanced pedal harpists. |
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A transcription for two or more harps by Carlos Salzedo of Enrique Granados' "Spanish Dance No. 5." The parts are suitable for intermediate-advanced or advanced pedal harpists. |
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Grandjany, Marcel, Fantaisie Sur un theme de J. Haydn |
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| Brilliant set of theme and variations for pedal harp |
| 3 Available |
This energetic set of variations has become a standard in the pedal harp repertoire. Begins with a quasi cadenza introduction that contains hints of the theme, followed by a simple statement of the theme. Then an allegretto variation using scales and arpeggios followed by a piu vivo variation with running sixteenth notes. The third variation is in the minor at an allegro tempo and has right hand cross under arpeggios with the melody in the left hand. Next is the allegretto grazioso with left hand harmonics. The fifth and last variation is a brilliant allegretto with cross finger placements and scales that lead to a dramatic climax followed by a short coda. The variations are only one or two pages each, making the whole piece a balanced length for the listener. Appropriate for the advanced intermediate level player; about at the same level as the Handel B flat Concerto for Harp. 12 pages |
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This energetic set of variations has become a standard in the pedal harp repertoire. Begins with a quasi cadenza introduction that contains hints of the theme, followed by a simple statement of the theme. Then an allegretto variation using scales and arpeggios followed by a piu vivo variation with running sixteenth notes. The third variation is in the minor at an allegro tempo and has right hand cross under arpeggios with the melody in the left hand. Next is the allegretto grazioso with left hand harmonics. The fifth and last variation is a brilliant allegretto with cross finger placements and scales that lead to a dramatic climax followed by a short coda. The variations are only one or two pages each, making the whole piece a balanced length for the listener. Appropriate for the advanced intermediate level player; about at the same level as the Handel B flat Concerto for Harp. 12 pages |
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Grandjany, Marcel, Little Harp Book |
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| Short solos for lever or pedal harp beginners |
| 3 Available |
Eight pieces by Marcel Grandjany for young beginners. For lever or pedal harp. 15 pages. |
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Eight pieces by Marcel Grandjany for young beginners. For lever or pedal harp. 15 pages. |
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