Liszt, F.; ed. Carlos Salzedo, Paraphrase on Liszt's Second Hungarian Rhapsody |
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Paraphrase on Liszt's Second Hungarian Rhapsody |
2 Available |
This fantastic showpiece by Carlos Salzedo draws on Liszt's Second Hungarian Rhapsody to create a work that can be a stand-alone recital solo or that can also be used as the Cadenza for Liszt's Second Hungarian Rhapsody in the orchestral version. |
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This fantastic showpiece by Carlos Salzedo draws on Liszt's Second Hungarian Rhapsody to create a work that can be a stand-alone recital solo or that can also be used as the Cadenza for Liszt's Second Hungarian Rhapsody in the orchestral version. |
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Liszt, Franz; arr. Piana, Lyric Reflections |
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Five pieces by Liszt transcribed for harp by Dominique Piana |
3 Available |
5 beautiful Liszt pieces. For advanced intermediate level pedal harp. 24 pages. |
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5 beautiful Liszt pieces. For advanced intermediate level pedal harp. 24 pages. |
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Liszt, Franz; arr. Piana, Otherworldly Musings |
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Three pieces by Franz Liszt transcribed for harp by Dominique Piana |
4 Available |
These pieces are hauntingly beautiful, experimenting with various tonalities. The notes are intermediate level, however there are a great deal of pedal changes. 12 pages. |
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These pieces are hauntingly beautiful, experimenting with various tonalities. The notes are intermediate level, however there are a great deal of pedal changes. 12 pages. |
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Liszt, Franz; trans. W. Posse, Angelus |
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Liszt piece transcribed for solo pedal harp |
1 Available |
Angelus is the first piece in the third volume of Annees de pelerinage, published in 1883. This piece has both impressionistic and expressionistic tendencies, using the whole physical and expressive range of the harp. The whole middle section is embellished with bisbigliandos, which create an indelible, uncanny effect. Moving beyond Romanticism, the beauties of Angelus take effect to unveil, with layers of meaning asking to be peeled away, one by one, and will prove to be highly rewarding. |
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Angelus is the first piece in the third volume of Annees de pelerinage, published in 1883. This piece has both impressionistic and expressionistic tendencies, using the whole physical and expressive range of the harp. The whole middle section is embellished with bisbigliandos, which create an indelible, uncanny effect. Moving beyond Romanticism, the beauties of Angelus take effect to unveil, with layers of meaning asking to be peeled away, one by one, and will prove to be highly rewarding. |
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Liszt, Franz: trans. Piana, Hungarian Rhapsody #5 |
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Lizst piano work transcribed for solo pedal harp |
2 Available |
This transcription of Lizst 's E Minor Hungarian Rhapsody (Heroide elegiaque) for piano is enegetic and dramatic. Open octaves and tight chord groupings. Quite chromatic and some of the pedal changes are tricky. An impressive concert piece. Written at the advanced level for pedal harp. 8 pages. |
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This transcription of Lizst 's E Minor Hungarian Rhapsody (Heroide elegiaque) for piano is enegetic and dramatic. Open octaves and tight chord groupings. Quite chromatic and some of the pedal changes are tricky. An impressive concert piece. Written at the advanced level for pedal harp. 8 pages. |
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