Liszt, Franz: trans. Piana, Postlude |
|
|
|
Lizst piano work transcribed for solo pedal harp |
3 Available |
A beautifully textured meditation. Franz Liszt was a deeply religious man, and his spiritual passion is evident in this lovely piece. The texture of the piece is mostly simple arpeggios flowing up from left hand to right hand. Could be useful for performance in worship settings. Written at the advanced intermediate level for pedal harp. Full title: Postlude #12 from Harmonies Poetiques et Religieuses. Includes the text of the Lamartine poem that inspired the work: Blessing of God in Solitude in French and English. Transcribed from the piano version by Dominique Piana. 8 pages. |
|
|
A beautifully textured meditation. Franz Liszt was a deeply religious man, and his spiritual passion is evident in this lovely piece. The texture of the piece is mostly simple arpeggios flowing up from left hand to right hand. Could be useful for performance in worship settings. Written at the advanced intermediate level for pedal harp. Full title: Postlude #12 from Harmonies Poetiques et Religieuses. Includes the text of the Lamartine poem that inspired the work: Blessing of God in Solitude in French and English. Transcribed from the piano version by Dominique Piana. 8 pages. |
|
|
Liszt; arr. Attl, Liebestraum for Four Harps |
|
|
|
Liebestraum for Four Harps |
3 Available |
Liebestraum (Love Dream) by Franz Liszt, arranged for four harps by Kajetan Attl and edited by Paul Hurst. This ensemble arrangement is suitable for intermediate or intermediate-advanced pedal harpists. |
|
|
Liebestraum (Love Dream) by Franz Liszt, arranged for four harps by Kajetan Attl and edited by Paul Hurst. This ensemble arrangement is suitable for intermediate or intermediate-advanced pedal harpists. |
|
|
Liszt; arr. Dominique Piana, Two Ave Maria (Arcadelt/Liszt; Scheucker) |
|
|
|
Two Ave Maria (Arcadelt/Liszt; Scheucker) |
2 Available |
Liszt's Two Ave Marias, one the famous tune attributed to Arcadelt, the other an original, were published as a set in an arrangement by harpist Peter Dubez, who worked in Liszt's court orchestra in Weimar. Liszt referred to them as "his Ave Maria for harp", which indicates that he must have supervised their transcription from the piano pieces. The Arcadelt is in a rather modern neo-classical style, while the second one is conceived in a late-romantic idiom. A third Ave Maria, subtitled The Bells of Rome, has been added as a bonus and was also transcribed in the 19th century, this time by Edmund Schuëcker. Each work is a substantial solo, and the third is downright virtuosic. |
|
|
Liszt's Two Ave Marias, one the famous tune attributed to Arcadelt, the other an original, were published as a set in an arrangement by harpist Peter Dubez, who worked in Liszt's court orchestra in Weimar. Liszt referred to them as "his Ave Maria for harp", which indicates that he must have supervised their transcription from the piano pieces. The Arcadelt is in a rather modern neo-classical style, while the second one is conceived in a late-romantic idiom. A third Ave Maria, subtitled The Bells of Rome, has been added as a bonus and was also transcribed in the 19th century, this time by Edmund Schuëcker. Each work is a substantial solo, and the third is downright virtuosic. |
|
|
Liszt; arr. Henriette Renie, Un Sospiro |
|
|
|
Un Sospiro |
3 Available |
This lovely Romantic work by famed Hungarian pianist and composer Franz Liszt is here transcribed for harp by Henriette Renié. Un Sospiro: Caprice Poetique is a great choice for the advanced pedal harpist for recital performances or CD recordings. |
|
|
This lovely Romantic work by famed Hungarian pianist and composer Franz Liszt is here transcribed for harp by Henriette Renié. Un Sospiro: Caprice Poetique is a great choice for the advanced pedal harpist for recital performances or CD recordings. |
|
|
Litton, Robert, Sun Dance |
|
|
|
Sun Dance |
1 Available |
An interesting contemporary work for intermediate pedal harp by the up and coming film composer Robert Litton. |
|
|
An interesting contemporary work for intermediate pedal harp by the up and coming film composer Robert Litton. |
|
|
|