Bochsa, R.N.C., 40 Etudes, Op. 318 Volume 2 |
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| 40 Etudes, Op. 318 Volume 2 |
| 3 Available |
Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Bochsa, R.N.C./arr. A. Hasselmans, 50 Etudes Op. 34, Volume 1 (1-25) |
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| 50 Etudes Op. 34, Volume 1 (1-25) |
| 2 Available |
Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Bochsa, R.N.C./arr. A. Hasselmans, 50 Etudes Op. 34, Volume 2 (26-50) |
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| 50 Etudes Op. 34, Volume 2 (26-50) |
| 2 Available |
Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
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Bouchard, Pieces Classiques, Vol. 5 |
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| Solos by early classical composers for lever or pedal harp |
| 2 Available |
Volume five has collection of eight pieces, many by composers who were themselves harpists such as Bochsa and Godefroid. For intermediate lever or pedal harp. 22 pages. |
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Volume five has collection of eight pieces, many by composers who were themselves harpists such as Bochsa and Godefroid. For intermediate lever or pedal harp. 22 pages. |
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Britten, Benjamin, A Ceremony of Carols |
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| Classical Christmas piece for harp and SSA (or SATB) choir (harp part only) |
| 2 Available |
Harp part to Britten's A Ceremony of Carols. This piece is a Christmas favorite for choir and harp that can be heard every holiday season. Included in this piece is the hauntingly beautiful interlude for solo harp. A true gem in the harp and choir genre. 24 pages. |
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Harp part to Britten's A Ceremony of Carols. This piece is a Christmas favorite for choir and harp that can be heard every holiday season. Included in this piece is the hauntingly beautiful interlude for solo harp. A true gem in the harp and choir genre. 24 pages. |
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