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Handel, Georg Friedrich, Tema con Variazioni

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Tema con Variazioni
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This theme and variations in the Baroque style is a technical and musical treat for the intermediate pedal harpist. Attributed to G.F. Handel and reprinted under the auspices of H.J. Zingel, this piece (for harp or piano) is truly a Baroque gem. The lyrical theme opens at a moderato tempo with a quarter note accompaniment and gradually increases in speed from variation to variation - from quarter notes to eighth notes, to triplets, to a rousing sixteenth note final variation. 7 pages.

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This theme and variations in the Baroque style is a technical and musical treat for the intermediate pedal harpist. Attributed to G.F. Handel and reprinted under the auspices of H.J. Zingel, this piece (for harp or piano) is truly a Baroque gem. The lyrical theme opens at a moderato tempo with a quarter note accompaniment and gradually increases in speed from variation to variation - from quarter notes to eighth notes, to triplets, to a rousing sixteenth note final variation. 7 pages.

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Handel, Schumann, Two Little Suites for a Musical Clock

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Two Little Suites for a Musical Clock
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These two little suites by G.F. Handel have been arranged for intermediate level pedal or lever harp by Ellis Schuman. Handel composed these pieces for Clay's Musical Clock (a sort of music box operated by clockwork mechanism) in London around 1730 or 1740. The similarity in timbre between a harp and a well-made music box (in fact, the harp is often called upon to sound like a music box in some compositions) make these transcriptions natural under the harpist's fingers. Ellis Schuman writes that these pieces are also "excellent material for developing independence of hands and clear articulation."

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These two little suites by G.F. Handel have been arranged for intermediate level pedal or lever harp by Ellis Schuman. Handel composed these pieces for Clay's Musical Clock (a sort of music box operated by clockwork mechanism) in London around 1730 or 1740. The similarity in timbre between a harp and a well-made music box (in fact, the harp is often called upon to sound like a music box in some compositions) make these transcriptions natural under the harpist's fingers. Ellis Schuman writes that these pieces are also "excellent material for developing independence of hands and clear articulation."

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Handel; arr. Burton, Largo from Xerxes

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Largo from Xerxes
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This arrangement by Daniel Burton for solo intermediate level pedal harp is an excerpt from George Friedrich Handel's 1738 opera Xerxes.

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This arrangement by Daniel Burton for solo intermediate level pedal harp is an excerpt from George Friedrich Handel's 1738 opera Xerxes.

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Handel; arr. Daniel Burton, A Handel Album

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Handel compositions arranged for early intermediate pedal harp
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Georg Freidrich Handel compositions arranged for pedal harp by Daniel Burton. These four pieces provide a glimpse into the many genres Handel wrote for - there are two selections from his operas, a religious piece, and a popular dance tune. Overall they are all lovely classical pieces and would be appropriate for an early intermediate pedal harpist. 12 pages.

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Georg Freidrich Handel compositions arranged for pedal harp by Daniel Burton. These four pieces provide a glimpse into the many genres Handel wrote for - there are two selections from his operas, a religious piece, and a popular dance tune. Overall they are all lovely classical pieces and would be appropriate for an early intermediate pedal harpist. 12 pages.

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Handel; arr. Grandjany, Concerto for Harp in B flat

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Grandjany version of the Handel Bb Harp Concerto
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The famous Handel harp concerto in B flat, edited by Marcel Grandjany. A staple piece in every advanced pedal harpist's repertoire. This interpretation reflects more of the expressive French Romantic style; the texture has been filled out to make it richer and it contains an extended, virtuosic cadenza in the romantic style. Can be played as a solo. For advanced pedal harp. 16 pages.

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The famous Handel harp concerto in B flat, edited by Marcel Grandjany. A staple piece in every advanced pedal harpist's repertoire. This interpretation reflects more of the expressive French Romantic style; the texture has been filled out to make it richer and it contains an extended, virtuosic cadenza in the romantic style. Can be played as a solo. For advanced pedal harp. 16 pages.

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