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Hummel; arr. Dominique Piana, Fantasie-Impromptu Op. 23

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Fantasie-Impromptu Op. 23
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Ferdinand Hummel (1855-1928) if often confused for the famous Hummel who was a student of Mozart's. A later composer, Ferdinand Hummel started his musical career as an accomplished harpist, then became a successful conductor and opera composer in the German equivalent of Italian verismo style.

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Ferdinand Hummel (1855-1928) if often confused for the famous Hummel who was a student of Mozart's. A later composer, Ferdinand Hummel started his musical career as an accomplished harpist, then became a successful conductor and opera composer in the German equivalent of Italian verismo style.

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Curcio, Stephanie, Fantasticks Medley for Multiple Harps

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Fantasticks Medley for Multiple Harps
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A medley of tunes from the "Fantasticks" for three intermediate level pedal harpists.

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A medley of tunes from the "Fantasticks" for three intermediate level pedal harpists.

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Avni, Tzvi, Fantasy for Harp

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Fantasy for Harp
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This exquisite work for solo pedal harp was commissioned for the 18th International Harp Contest in Israel and is dedicated to Judith Liber. This piece uses extended harp technique (soundboard tapping, playing with the nails etc) and is an excellent recital selection.

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This exquisite work for solo pedal harp was commissioned for the 18th International Harp Contest in Israel and is dedicated to Judith Liber. This piece uses extended harp technique (soundboard tapping, playing with the nails etc) and is an excellent recital selection.

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Robinson, Meg, Fate

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Fate
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A composition for beginner-intermediate pedal or lever harp by Meg Robinson. This lovely little piece would be perfect as background music or as a harp solo for a beginner-intermediate recital. The piece, in the key of C minor, includes upward arpeggios with a right hand melody ornamented by the occasional glissando or trill. This piece would also work well in harp therapy sessions.

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A composition for beginner-intermediate pedal or lever harp by Meg Robinson. This lovely little piece would be perfect as background music or as a harp solo for a beginner-intermediate recital. The piece, in the key of C minor, includes upward arpeggios with a right hand melody ornamented by the occasional glissando or trill. This piece would also work well in harp therapy sessions.

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Hazzard, Peter, Festival Music in the Elizabethan Style for Flute and Harp

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Festival Music in the Elizabethan Style for Flute and Harp
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This elegant work for flute and intermediate pedal harp was composed by Peter Hazzard for performance as part of a wedding where the bride requested something that "sounds a bit Elizabethan." This work therefore incorporates English Renaissance styles into the music and would be a wonderful selection for any wedding ceremony.

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This elegant work for flute and intermediate pedal harp was composed by Peter Hazzard for performance as part of a wedding where the bride requested something that "sounds a bit Elizabethan." This work therefore incorporates English Renaissance styles into the music and would be a wonderful selection for any wedding ceremony.

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