Curcio, Stephanie, Ashley's Serenade |
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Trio for lever or pedal harps |
2 Available |
Lovely and contemplative trio in D minor. Harp I part has extended passages in sixteenth notes at a moderato tempo with hands doubled an octave apart. Harp three plays on off beat rhythm for much ot the piece. Both harp I and II have the melody at some point. All three players would need to have a good sense of rhythm as there are many dotted rhythms and passages that start on the off beat. This should be a great piece for learning ensemble skills, counting and subdividing together. No lever or pedal changes. Beautifully printed, full score and three separate harp parts included. |
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Lovely and contemplative trio in D minor. Harp I part has extended passages in sixteenth notes at a moderato tempo with hands doubled an octave apart. Harp three plays on off beat rhythm for much ot the piece. Both harp I and II have the melody at some point. All three players would need to have a good sense of rhythm as there are many dotted rhythms and passages that start on the off beat. This should be a great piece for learning ensemble skills, counting and subdividing together. No lever or pedal changes. Beautifully printed, full score and three separate harp parts included. |
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Tepper, Ellen, Auld Lang Syne |
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Set of variations on Auld Lang Syne for beginner level pedal or lever harp |
2 Available |
A compilation of four variations on the tune of Auld Lang Syne each with different levels of difficulty from starting beginner to experienced beginner, in the key of D. Var.1 uses the Scottish snap and rolled chords. Var. 2 uses a moving pattern of eighth notes in the right hand. Var. 3 has harmonics throughout the entire left hand with triad and triads in the right hand. Var. 4 uses majestic rolled chords and arpeggios throughout. A very nice solo addition. 4 pages. |
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A compilation of four variations on the tune of Auld Lang Syne each with different levels of difficulty from starting beginner to experienced beginner, in the key of D. Var.1 uses the Scottish snap and rolled chords. Var. 2 uses a moving pattern of eighth notes in the right hand. Var. 3 has harmonics throughout the entire left hand with triad and triads in the right hand. Var. 4 uses majestic rolled chords and arpeggios throughout. A very nice solo addition. 4 pages. |
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Andres, Bernard, Automates |
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Automates |
Available |
Twelve solos for intermediate level pedal or lever harp. Tuneful modern interpretations of baroque dance forms, so interestingly written that you won't mind the fact that there are no lever or pedal changes in any of the pieces. Good material for the more advanced gig harpist as well - use the tunes to improvise and make them longer. Intermediate level, but useful in gig harpist repertoire. 25 pages. |
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Twelve solos for intermediate level pedal or lever harp. Tuneful modern interpretations of baroque dance forms, so interestingly written that you won't mind the fact that there are no lever or pedal changes in any of the pieces. Good material for the more advanced gig harpist as well - use the tunes to improvise and make them longer. Intermediate level, but useful in gig harpist repertoire. 25 pages. |
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Maganuco, Michael, Awakening Stillnesses |
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Awakening Stillnesses |
1 Available |
This incredible contemporary work for the advanced pedal harpist was chosen for the 2010 USA International Harp Competition. |
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This incredible contemporary work for the advanced pedal harpist was chosen for the 2010 USA International Harp Competition. |
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