Curcio, Stephanie, Trumpet Voluntary |
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| Arrangement of Jeremiah Clarke piece for solo lever or pedal harp |
| 2 Available |
An arrangement of this staple piece of wedding repertoire for intermediate lever or pedal harp. This arrangement has a very full sound and is often used as a processional or recessional at weddings for its strong beat that is easy for any listener to pick up and walk to. This piece is often wrongly attributed to Henry Purcell, it is by Jeremiah Clarke. 2 pages. |
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An arrangement of this staple piece of wedding repertoire for intermediate lever or pedal harp. This arrangement has a very full sound and is often used as a processional or recessional at weddings for its strong beat that is easy for any listener to pick up and walk to. This piece is often wrongly attributed to Henry Purcell, it is by Jeremiah Clarke. 2 pages. |
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Pool, Ray, Tuning Your Lever Harp in E Flat Major |
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| Guide to tuning a lever harp to three flats |
| 2 Available |
A lever harpist's comprehensive guide for tuning your lever harp in different keys. Organized in 3 sections: 1) How to use battery operated tuning meter, 2) Tuning the E flat major scale 3) Tuning by chord comparison . In compact pocket size: 5 1/4" x 8 1/2" 17 pages. |
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A lever harpist's comprehensive guide for tuning your lever harp in different keys. Organized in 3 sections: 1) How to use battery operated tuning meter, 2) Tuning the E flat major scale 3) Tuning by chord comparison . In compact pocket size: 5 1/4" x 8 1/2" 17 pages. |
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Liszt; arr. Dominique Piana, Two Ave Maria (Arcadelt/Liszt; Scheucker) |
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| Two Ave Maria (Arcadelt/Liszt; Scheucker) |
| 2 Available |
Liszt's Two Ave Marias, one the famous tune attributed to Arcadelt, the other an original, were published as a set in an arrangement by harpist Peter Dubez, who worked in Liszt's court orchestra in Weimar. Liszt referred to them as "his Ave Maria for harp", which indicates that he must have supervised their transcription from the piano pieces. The Arcadelt is in a rather modern neo-classical style, while the second one is conceived in a late-romantic idiom. A third Ave Maria, subtitled The Bells of Rome, has been added as a bonus and was also transcribed in the 19th century, this time by Edmund Schuëcker. Each work is a substantial solo, and the third is downright virtuosic. |
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Liszt's Two Ave Marias, one the famous tune attributed to Arcadelt, the other an original, were published as a set in an arrangement by harpist Peter Dubez, who worked in Liszt's court orchestra in Weimar. Liszt referred to them as "his Ave Maria for harp", which indicates that he must have supervised their transcription from the piano pieces. The Arcadelt is in a rather modern neo-classical style, while the second one is conceived in a late-romantic idiom. A third Ave Maria, subtitled The Bells of Rome, has been added as a bonus and was also transcribed in the 19th century, this time by Edmund Schuëcker. Each work is a substantial solo, and the third is downright virtuosic. |
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Rice, Joyce, Two Harps Plus, Vol. 2 |
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| Multi-level harp ensemble arrangements of Celtic music |
| 1 Available |
Ensemble arrangments of Celtic music in two to five parts. For lever or pedal harp, beginner to early intermediate level. This book is great for multi-level ensembles. Parts I and II make a complete duo, the rest add harmonic and rhythmic interest. Volume 2 of a 3 volume series. 15 pages. |
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Ensemble arrangments of Celtic music in two to five parts. For lever or pedal harp, beginner to early intermediate level. This book is great for multi-level ensembles. Parts I and II make a complete duo, the rest add harmonic and rhythmic interest. Volume 2 of a 3 volume series. 15 pages. |
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Schocker, Gary, Two New Variations on Handel - Somewhat Harmonious & Aria and Changes |
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| Two New Variations on Handel - Somewhat Harmonious & Aria and Changes |
| 1 Available |
An original composition for pedal harp by composer, flautist and harp student Gary Schocker. These pieces are a series of variations on Handel's Harmonious Blacksmith theme as well as Handel's aria Lascia ch'io pianga. These two pieces would be lovely performed as a set, or they can be performed as separate solo works. |
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An original composition for pedal harp by composer, flautist and harp student Gary Schocker. These pieces are a series of variations on Handel's Harmonious Blacksmith theme as well as Handel's aria Lascia ch'io pianga. These two pieces would be lovely performed as a set, or they can be performed as separate solo works. |
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