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Andres, Bernard, Aquatintes

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Six short pieces from Bernard Andres for lever or pedal harp
Available

Bernard Andres pieces are perennially popular with harp teachers and these 6 short pieces for the lever or pedal harp really get your fingers moving. Perfect your grace notes, chords and arpeggios with Aquatintes. 8 pages.

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Bernard Andres pieces are perennially popular with harp teachers and these 6 short pieces for the lever or pedal harp really get your fingers moving. Perfect your grace notes, chords and arpeggios with Aquatintes. 8 pages.

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Debussy, Claude; arr. Renie, Arabesque No. 1

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Renie transcription of Debussy's Premiere Arabesque
3 Available

Originally written for the piano by Debussy, Premiere Arabesque sounds wonderful on the harp. Transcribed for the harp by H. Renie for advanced intermediate pedal harp. Some fingerings and pedal markings included. 7 pages.

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Originally written for the piano by Debussy, Premiere Arabesque sounds wonderful on the harp. Transcribed for the harp by H. Renie for advanced intermediate pedal harp. Some fingerings and pedal markings included. 7 pages.

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Chertok, P., Around the Clock Suite

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Around the Clock Suite
4 Available

This suite for pedal harp by harpist Pearl Chertok (1918-1981) incorporates elegant classical traditions with contemporary harp techniques and jazz rhythms. With introductory sections to each piece that describe the extramusical inspiration for the work, this collection is a perfect choice for intermediate-advanced pedal harpists looking for something a little different to incorporate into their repertoire.

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This suite for pedal harp by harpist Pearl Chertok (1918-1981) incorporates elegant classical traditions with contemporary harp techniques and jazz rhythms. With introductory sections to each piece that describe the extramusical inspiration for the work, this collection is a perfect choice for intermediate-advanced pedal harpists looking for something a little different to incorporate into their repertoire.

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Thomas, John, The Ash Grove

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Ash Grove (The)
1 Available

A series of variations by harpist John Thomas on the popular Welsh air "Llwyn Onn" (The Ash Grove). This arrangement is suitable for the intermediate-advanced pedal harpist. This lovely piece is sure to come in handy as a source of background music (people are always happy to hear this familiar tune) or as a recital solo to broaden the scope of a classical pedal harp recital. John Thomas (1826-1913) was a Welsh harpist and composer who began by playing the triple harp and eventually studied the classical pedal harp at the Royal School of Music in London. In 1872 he was named harpist to Queen Victoria.

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A series of variations by harpist John Thomas on the popular Welsh air "Llwyn Onn" (The Ash Grove). This arrangement is suitable for the intermediate-advanced pedal harpist. This lovely piece is sure to come in handy as a source of background music (people are always happy to hear this familiar tune) or as a recital solo to broaden the scope of a classical pedal harp recital. John Thomas (1826-1913) was a Welsh harpist and composer who began by playing the triple harp and eventually studied the classical pedal harp at the Royal School of Music in London. In 1872 he was named harpist to Queen Victoria.

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Curcio, Stephanie, Ashley's Serenade

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Trio for lever or pedal harps
2 Available

Lovely and contemplative trio in D minor. Harp I part has extended passages in sixteenth notes at a moderato tempo with hands doubled an octave apart. Harp three plays on off beat rhythm for much ot the piece. Both harp I and II have the melody at some point. All three players would need to have a good sense of rhythm as there are many dotted rhythms and passages that start on the off beat. This should be a great piece for learning ensemble skills, counting and subdividing together. No lever or pedal changes. Beautifully printed, full score and three separate harp parts included.

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Lovely and contemplative trio in D minor. Harp I part has extended passages in sixteenth notes at a moderato tempo with hands doubled an octave apart. Harp three plays on off beat rhythm for much ot the piece. Both harp I and II have the melody at some point. All three players would need to have a good sense of rhythm as there are many dotted rhythms and passages that start on the off beat. This should be a great piece for learning ensemble skills, counting and subdividing together. No lever or pedal changes. Beautifully printed, full score and three separate harp parts included.

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