Schocker, Gary, Treeludes |
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| Treeludes |
| 1 Available |
A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker. |
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A collection of pieces inspired by different trees, written by composer, flautist and harp student Gary Schocker. |
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Tremblot de la Croix, Francine, Trois Iles |
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| Music inspired by the moods of three islands for advanced pedal harp |
| 3 Available |
Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages. |
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Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages. |
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Salzedo, Carlos, Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien |
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| Trois Morceaux No. 3: Variations Sur Un Theme Dans Le Style Ancien |
| 2 Available |
This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist. |
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This solo for the advanced pedal harpist by renowned harpist and composer Carlos Salzedo is a well-known recital piece and technical study for any classical pedal harpist. |
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Grandjany, Marcel, Trois Petites Pieces Opus 7 |
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| Trois Petites Pieces Opus 7 |
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Three intermediate pieces for pedal harp by Grandjany. Just a few pedal changes, these are marked. 7 pages. |
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Three intermediate pieces for pedal harp by Grandjany. Just a few pedal changes, these are marked. 7 pages. |
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Curcio, Stephanie, Trumpet Voluntary |
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| Arrangement of Jeremiah Clarke piece for solo lever or pedal harp |
| 2 Available |
An arrangement of this staple piece of wedding repertoire for intermediate lever or pedal harp. This arrangement has a very full sound and is often used as a processional or recessional at weddings for its strong beat that is easy for any listener to pick up and walk to. This piece is often wrongly attributed to Henry Purcell, it is by Jeremiah Clarke. 2 pages. |
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An arrangement of this staple piece of wedding repertoire for intermediate lever or pedal harp. This arrangement has a very full sound and is often used as a processional or recessional at weddings for its strong beat that is easy for any listener to pick up and walk to. This piece is often wrongly attributed to Henry Purcell, it is by Jeremiah Clarke. 2 pages. |
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