Liszt, Franz: trans. Piana, Postlude |
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| Lizst piano work transcribed for solo pedal harp |
| 3 Available |
A beautifully textured meditation. Franz Liszt was a deeply religious man, and his spiritual passion is evident in this lovely piece. The texture of the piece is mostly simple arpeggios flowing up from left hand to right hand. Could be useful for performance in worship settings. Written at the advanced intermediate level for pedal harp. Full title: Postlude #12 from Harmonies Poetiques et Religieuses. Includes the text of the Lamartine poem that inspired the work: Blessing of God in Solitude in French and English. Transcribed from the piano version by Dominique Piana. 8 pages. |
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A beautifully textured meditation. Franz Liszt was a deeply religious man, and his spiritual passion is evident in this lovely piece. The texture of the piece is mostly simple arpeggios flowing up from left hand to right hand. Could be useful for performance in worship settings. Written at the advanced intermediate level for pedal harp. Full title: Postlude #12 from Harmonies Poetiques et Religieuses. Includes the text of the Lamartine poem that inspired the work: Blessing of God in Solitude in French and English. Transcribed from the piano version by Dominique Piana. 8 pages. |
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Curcio, Stephanie, Powdered Wigs |
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| Powdered Wigs |
| 3 Available |
This harp trio is an original work by Stephanie Curcio based on timeless themes of Mozart, Haydn, and Clementi. This piece is suitable for beginner-intermediate pedal or lever harpists and is an excellent choice for any harp ensemble looking for a fun new piece in a classical style. |
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This harp trio is an original work by Stephanie Curcio based on timeless themes of Mozart, Haydn, and Clementi. This piece is suitable for beginner-intermediate pedal or lever harpists and is an excellent choice for any harp ensemble looking for a fun new piece in a classical style. |
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Holliger, Heinz, Praludium, Arioso and Passacaglia |
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| Praludium, Arioso and Passacaglia |
| 2 Available |
Composer Heinz Holliger wrote and dedicated this piece for solo harp to his wife, harpist Ursula Holliger. This contemporary work includes notes for the performer on the techniques included in the piece. |
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Composer Heinz Holliger wrote and dedicated this piece for solo harp to his wife, harpist Ursula Holliger. This contemporary work includes notes for the performer on the techniques included in the piece. |
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Berman Harris, Ruth, Prayer |
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| Prayer |
| 2 Available |
An original composition by Ruth Berman Harris for voice and pedal harp (or organ or piano). This work is in G minor and includes an optional vocal duet part on page 2. |
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An original composition by Ruth Berman Harris for voice and pedal harp (or organ or piano). This work is in G minor and includes an optional vocal duet part on page 2. |
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Chopin, Frederic: trans. Piana, Prelude #15 Op. 28 (Raindrop) |
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| Chopin Prelude transcribed for solo pedal harp by Dominique Piana |
| 1 Available |
Chopin's unique style is derived from devices such as dwelling on the dissonant note of appogiaturas, moving between major and minor modes or, as illustrated in this prelude, lingering in a "harmonic daydream" upon repeated notes and chords acting as a hypnotic drone. The fifteenth in a collection of pieces written in each of the 24 keys, in imitation of Bach. |
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Chopin's unique style is derived from devices such as dwelling on the dissonant note of appogiaturas, moving between major and minor modes or, as illustrated in this prelude, lingering in a "harmonic daydream" upon repeated notes and chords acting as a hypnotic drone. The fifteenth in a collection of pieces written in each of the 24 keys, in imitation of Bach. |
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