Naderman, F.J., Sept Sonates Progressives (Seven Sonatas) |
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| Sept Sonates Progressives (Seven Sonatas) |
| 3 Available |
The Nadermann Sonatines are superb compositions, written in the late 18th century style, that provide quality programming material as solos, enjoyable for audience and performer alike. These pieces were written for the harp studio of Alphonse Hasselmans while he was Professor of Harp at the Conservatoire National de Musique in Paris. |
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The Nadermann Sonatines are superb compositions, written in the late 18th century style, that provide quality programming material as solos, enjoyable for audience and performer alike. These pieces were written for the harp studio of Alphonse Hasselmans while he was Professor of Harp at the Conservatoire National de Musique in Paris. |
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Persichetti; Vincent, Serenade No. 10 for Flute and Harp, Opus 79 |
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| Serenade No. 10 for Flute and Harp, Opus 79 |
| 2 Available |
Vincent Persichetti's (1915-1987) Serenade No. 10 for Flute and Harp. Includes score for harpist and separate part for flutist. Score is 23 pages |
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Vincent Persichetti's (1915-1987) Serenade No. 10 for Flute and Harp. Includes score for harpist and separate part for flutist. Score is 23 pages |
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Parish Alvars, Elias; ed. Susan Mildonian, Serenade, Op. 73 |
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| Serenade, Op. 73 |
| 1 Available |
English harpist Elias Parish-Alvars (1808-1849) was one of the earliest virtuosos of the (then) newly invented double-action pedal harp. Known as the "Liszt of the harp," he pioneered many of the techniques that are today considered standard in classical harp performance, including glissandos, harmonics, and enharmonic trills. |
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English harpist Elias Parish-Alvars (1808-1849) was one of the earliest virtuosos of the (then) newly invented double-action pedal harp. Known as the "Liszt of the harp," he pioneered many of the techniques that are today considered standard in classical harp performance, including glissandos, harmonics, and enharmonic trills. |
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Moszkowski, Moritz; arr. Schuecker, Serenata, Opus 15 |
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| Moszkowski piano work transcribed for solo pedal harp |
| 2 Available |
Moritz Moszkowski, a German pianist-composer, enjoyed early success in his career by writing some of the most popular piano compositions of the late 19th century, the Serenata in particular. This piece, with its delightful melodies and sparkling effects, obviously could carry its appeal beyond the piano. Serenata was transcribed by the Viennese harpist Edmund Schuecker. It's a showy concert piece in duple dance rhythm in Db major. |
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Moritz Moszkowski, a German pianist-composer, enjoyed early success in his career by writing some of the most popular piano compositions of the late 19th century, the Serenata in particular. This piece, with its delightful melodies and sparkling effects, obviously could carry its appeal beyond the piano. Serenata was transcribed by the Viennese harpist Edmund Schuecker. It's a showy concert piece in duple dance rhythm in Db major. |
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Colin, Lois, The Session Collection |
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| Session Collection (The) |
| 1 Available |
The purpose of this book is to demonstrate by example how harpists can play in a session. Included in Volume 1 of The Session Collection are several compositions for the beginner to the more advanced harpist with examples on how to alter the arrangement for harps with 26 to 36 strings. There are fingering, brackets, chord symbols, and form analysis. |
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The purpose of this book is to demonstrate by example how harpists can play in a session. Included in Volume 1 of The Session Collection are several compositions for the beginner to the more advanced harpist with examples on how to alter the arrangement for harps with 26 to 36 strings. There are fingering, brackets, chord symbols, and form analysis. |
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