Curcio, Stephanie, King Arthur Suite |
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| Four short pieces for beginner harp trio by Stephanie Curcio |
| 2 Available |
These four pieces conjure up the spirit of King Arthur's Court with sorcerers. court jesters, and regal processions. The pieces are easy enough for a harp trio of very young players. Great fun for students who want to play with their peers. Music includes a full score, and seperate parts for each player. Score: 6 pages. |
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These four pieces conjure up the spirit of King Arthur's Court with sorcerers. court jesters, and regal processions. The pieces are easy enough for a harp trio of very young players. Great fun for students who want to play with their peers. Music includes a full score, and seperate parts for each player. Score: 6 pages. |
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Landy, Mitch, Kitty of Coleraine: Variations in Classical Style on an Irish Air |
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| Set of variations for solo lever or pedal harp |
| 2 Available |
This Irish song, arranged in D major, is like a minuet in rhythm and character. It is given somewhat classical treatment in six variations. Variations include one in D minor and a full transformation in which the original melody is only vaguely recollected. Lever changes are only found in the D minor variation, and the bridge leading into and out of it. Notated for both lever and pedal harp, intermediate level. |
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This Irish song, arranged in D major, is like a minuet in rhythm and character. It is given somewhat classical treatment in six variations. Variations include one in D minor and a full transformation in which the original melody is only vaguely recollected. Lever changes are only found in the D minor variation, and the bridge leading into and out of it. Notated for both lever and pedal harp, intermediate level. |
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Rees-Rohrbacher, Kymation |
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| Contemporary solo for lever or pedal harp |
| 1 Available |
This piece is composed based on a whole-tone scale and is playable on both lever or pedal harp. It is a short piece using many extended techniques such as "xylophone sound", "kloster" and "tympanic sounds" to name just a few. There are no pedal or lever changes, and a few octave transpositions can make it effective on any size lever harp. Intermediate level. 4 pages. |
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This piece is composed based on a whole-tone scale and is playable on both lever or pedal harp. It is a short piece using many extended techniques such as "xylophone sound", "kloster" and "tympanic sounds" to name just a few. There are no pedal or lever changes, and a few octave transpositions can make it effective on any size lever harp. Intermediate level. 4 pages. |
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