Harp Sheet Music Specials

"Oh, you play the harp? So what do you think of Harpo Marx?"

A unique piece for intermediate Celtic or pedal harp. Explores various non-traditional playing techniques such as percussive sounds, special muffles, etc. Many lever or pedal changes, the less obvious ones are marked. 3 pages of music and a page with explanatory glossary.

Traditional caroling tunes from three regions: Cornish Wassail, Somerset Wassail, and Gloucestershire Wassail. Arrangements are at an intermediate level, also a page in lead sheet format is included. This way you can make your own version to fit any playing level, or you could give the lead sheet to another instrumentalist to create a duo. Also includes lyrics. For either lever or pedal harp.

The classic Irish ballad is given a light jazz treatment. Offers two options for coda section. Challenging, but well-suited for the strong intermediate level pedal harpist. Meticulous attention given to passing tones in inner voices, resulting in a complex, rich texture. Many pedal changes, these are marked. 5 pages.

Camille Saint-Saens' Le Cygne (The Swan) arranged for four harps by Kajetan Attl and edited and revised by Paul Hurst. This harp ensemble arrangement is suitable for intermediate-advanced pedal harpists.

A collection of transcriptions of sonatas by Domenico Scarlatti by Daniel Burton. Although he was born in Naples, Domenico Scarlatti composed the majority his keyboard sonatas in Madrid while in the service of Maria Barbara, wife of the Spanish crown prince.

Etudes and Short Pieces for Harp by Edmund Schuecker is a collection of elementary studies and transcriptions of Mozart, Schumann, Mendelssohn, Bertini, Schuecker, Gluck and others. These studies are suitable for intermediate or intermediate-advanced pedal harpists.

An arrangement for four harps by Kajetan Attl of Johann Strauss' famous "Blue Danube Waltz" edited and revised by Paul Hurst. This collection is suitable for intermediate-advanced pedal harpists.

Three pieces whose inspiration was drawn from the islands of Orthuz, Ireland and Lesbos. Each piece presents itself with a decidedly different feel. Orthuz, subtitled "Dance of the Fisherman," sounds like a modern, rustic dance. Aran is an Irish lullaby. Lesbos is swift and playful. The pieces are written at the advanced level, and the pedal changes are not marked. 8 pages.

An elegant and flowing arrangement of Grant C. Tuller's "Face to Face" arranged for the intermediate lever or pedal harpist by Christina Marshall. 3 pages, lever changes are marked.

Vivaldi's Concerto in D minor for viola d'amore, lute and strings is the third in a set of concertos played by girls of the Ospedale della Pieta in Venice before the Crown Prince of Poland in 1740.

An arrangement by Daniel Burton of the "Ode to the Evening Star" from Richard Wagner's 1845 opera Tannhauser. This lovely song consists of arpeggios of chords in the left hand while the right hand plays the melody in single notes and octaves.

A collection of four folk songs, arranged for solo voice and intermediate pedal harp. The harp part includes harmonics, full chords, and arpeggio figures; the elegant parts never overpower the vocal line, but rather serve to compliment the simple beauty of these timeless folk songs.

Strings for harp - All 46 and 47 string pedal harps

Strings for harp - All 46 and 47 string pedal harps. 0G is the first (shortest) string on these harps.

Strings for harp - All pedal harps

Strings for harp - All pedal harps

Strings for harp - All pedal harps

Strings for harp - All pedal harps. 1st E is the first (shortest) string on 40,42 and 44 string pedal harps.

Strings for harp - All pedal harps