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Harp Sheet Music |
Gagneux, Renaud, Narandj |
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Solo for advanced pedal harp |
3 Available |
This piece makes full use of the range of the pedal harp, giving it a wonderfully unique, almost displaced, feel. For advanced pedal harp. Many pedal changes. 5 pages. |
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This piece makes full use of the range of the pedal harp, giving it a wonderfully unique, almost displaced, feel. For advanced pedal harp. Many pedal changes. 5 pages. |
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Joplin, Elite Syncopation for 3 Harps |
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Elite Syncopation for 3 Harps |
2 Available |
Elite Syncopation composed by Scott Joplin. Transcribed for 3 harps by Dewey Owens. The level of difficulty for this piece is intermediate-advanced and suitable for pedal harp. 12 pages |
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Elite Syncopation composed by Scott Joplin. Transcribed for 3 harps by Dewey Owens. The level of difficulty for this piece is intermediate-advanced and suitable for pedal harp. 12 pages |
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Kleinstuber, Cindy, Easy Progressive Solos for Harp |
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Easy Progressive Solos for Harp |
1 Available |
A compilation of Cindy Kleinstuber's easy harp books. The music has been reeditted and updated. It has also been put in progressive order from easy to advanced for easy use by all harpists. It includes all of the music from: |
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A compilation of Cindy Kleinstuber's easy harp books. The music has been reeditted and updated. It has also been put in progressive order from easy to advanced for easy use by all harpists. It includes all of the music from: |
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Lai, Francis; arr. Eleanor Fell, A Man and a Woman |
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Movie theme song arranged for intermediate level pedal harp |
1 Available |
Song by Francis Lai arranged by Eleanor Fell from the Salvi Pop Series. This is the theme song to the French film Un homme et une femme ( A Man and a Woman ) from 1966. Intermediate level. 3 pages. |
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Song by Francis Lai arranged by Eleanor Fell from the Salvi Pop Series. This is the theme song to the French film Un homme et une femme ( A Man and a Woman ) from 1966. Intermediate level. 3 pages. |
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Leroux, Philippe, Histoire Filante |
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Histoire Filante |
1 Available |
This contemporary piece by composer Philippe Leroux is a really exciting work for beginner-intermediate pedal harp. With an included sheet of instructions on how to play the different effects in this piece, this work is a great study in modern harp effects for a pedal harpist or lever harp tuned in E-flat. Instructions in French. 3 pages, no lever or pedal changes. |
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This contemporary piece by composer Philippe Leroux is a really exciting work for beginner-intermediate pedal harp. With an included sheet of instructions on how to play the different effects in this piece, this work is a great study in modern harp effects for a pedal harpist or lever harp tuned in E-flat. Instructions in French. 3 pages, no lever or pedal changes. |
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Liszt; arr. Attl, Liebestraum for Four Harps |
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Liebestraum for Four Harps |
3 Available |
Liebestraum (Love Dream) by Franz Liszt, arranged for four harps by Kajetan Attl and edited by Paul Hurst. This ensemble arrangement is suitable for intermediate or intermediate-advanced pedal harpists. |
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Liebestraum (Love Dream) by Franz Liszt, arranged for four harps by Kajetan Attl and edited by Paul Hurst. This ensemble arrangement is suitable for intermediate or intermediate-advanced pedal harpists. |
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Maayani, Ami, Passacaglia Dans Le Style Oriental |
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Passacaglia Dans Le Style Oriental |
2 Available |
This work for the advanced pedal harpist was composed by Israeli composer Ami Maayani in 1975 and is dedicated to renowned harpist, composer and pedagogue Lucile Lawrence. This piece was also one of the required repertory for the 1985 International Harp Competition in Israel. |
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This work for the advanced pedal harpist was composed by Israeli composer Ami Maayani in 1975 and is dedicated to renowned harpist, composer and pedagogue Lucile Lawrence. This piece was also one of the required repertory for the 1985 International Harp Competition in Israel. |
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Mark Andersen, Chanson Esthetique |
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Melodic piece for solo pedal harp based on a Japanese lullaby |
Available |
Chanson Esthetique was composed by Mark Andersen. This piece should be performed on pedal harp. 4 pages. |
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Chanson Esthetique was composed by Mark Andersen. This piece should be performed on pedal harp. 4 pages. |
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Marx, Harpo with Rowland Barber, Harpo Speaks |
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Autobiography of Harpo Marx |
2 Available |
"Oh, you play the harp? So what do you think of Harpo Marx?" |
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"Oh, you play the harp? So what do you think of Harpo Marx?" |
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Miroglio, Francis, Rumeurs |
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Adventurous solo for lever or pedal harp |
1 Available |
A unique piece for intermediate Celtic or pedal harp. Explores various non-traditional playing techniques such as percussive sounds, special muffles, etc. Many lever or pedal changes, the less obvious ones are marked. 3 pages of music and a page with explanatory glossary. |
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A unique piece for intermediate Celtic or pedal harp. Explores various non-traditional playing techniques such as percussive sounds, special muffles, etc. Many lever or pedal changes, the less obvious ones are marked. 3 pages of music and a page with explanatory glossary. |
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Nadermann; arr. Schuecker, Etudes et Preludes, Vol. 3: 18 Etudes de haut niveau |
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Etudes et Preludes, Vol. 3: 18 Etudes de haut niveau |
1 Available |
These etudes are an excellent exercise in dexterity and technique for the intermediate-advanced pedal harp student. Composed by harpist Francois Joseph Nadermann (1781-1835), these pieces have been arranged by Edmund Schuecker and edited by well-known harpist Odette Le Dentu. 18 etudes. |
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These etudes are an excellent exercise in dexterity and technique for the intermediate-advanced pedal harp student. Composed by harpist Francois Joseph Nadermann (1781-1835), these pieces have been arranged by Edmund Schuecker and edited by well-known harpist Odette Le Dentu. 18 etudes. |
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Parish Alvars, Elias, Il Papagallo, Souvenir de Naples, Op 85 |
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Il Papagallo, Souvenir de Naples, Op 85 |
1 Available |
A recital solo for intermediate-advanced pedal harp by renowned English harpist Elias Parish Alvars. This work would be a great technical study for the intermediate pedal harp student and includes harmonics, rolled chords, rippling 16th and 32nd note runs and a stunning introduction. |
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A recital solo for intermediate-advanced pedal harp by renowned English harpist Elias Parish Alvars. This work would be a great technical study for the intermediate pedal harp student and includes harmonics, rolled chords, rippling 16th and 32nd note runs and a stunning introduction. |
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Pratt-Walter, Jennifer (arr.), Three Jaunty Jigs |
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Celtic solos for lever or pedal harp, lead sheet included |
1 Available |
This book is suitable for a full size lever harp or pedal harp, keys or modes up to one sharp only, no accidentals. The energetic melodies move quickly with the left hand utilizing a variety of techniques. Some ornamentation and crossings are notated, and a few fingerings assist in tricky spots. Arrangements are at an intermediate level, also a page in lead sheet format is included. This way you can make your own version to fit any playing level, or you could give the lead sheet to another instrumentalist to create a duo. 6 pages. |
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This book is suitable for a full size lever harp or pedal harp, keys or modes up to one sharp only, no accidentals. The energetic melodies move quickly with the left hand utilizing a variety of techniques. Some ornamentation and crossings are notated, and a few fingerings assist in tricky spots. Arrangements are at an intermediate level, also a page in lead sheet format is included. This way you can make your own version to fit any playing level, or you could give the lead sheet to another instrumentalist to create a duo. 6 pages. |
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Pratt-Walter, Jennifer (arr.), Three Jolly Wassails |
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English caroling solos for lever or pedal harp, lead sheet included |
3 Available |
Traditional caroling tunes from three regions: Cornish Wassail, Somerset Wassail, and Gloucestershire Wassail. Arrangements are at an intermediate level, also a page in lead sheet format is included. This way you can make your own version to fit any playing level, or you could give the lead sheet to another instrumentalist to create a duo. Also includes lyrics. For either lever or pedal harp. |
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Traditional caroling tunes from three regions: Cornish Wassail, Somerset Wassail, and Gloucestershire Wassail. Arrangements are at an intermediate level, also a page in lead sheet format is included. This way you can make your own version to fit any playing level, or you could give the lead sheet to another instrumentalist to create a duo. Also includes lyrics. For either lever or pedal harp. |
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Robbins, Carol (arr.), Danny Boy, Jazz Arr. for Harp |
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Carol Robbins arrangement of Irish ballad for solo pedal harp |
2 Available |
The classic Irish ballad is given a light jazz treatment. Offers two options for coda section. Challenging, but well-suited for the strong intermediate level pedal harpist. Meticulous attention given to passing tones in inner voices, resulting in a complex, rich texture. Many pedal changes, these are marked. 5 pages. |
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The classic Irish ballad is given a light jazz treatment. Offers two options for coda section. Challenging, but well-suited for the strong intermediate level pedal harpist. Meticulous attention given to passing tones in inner voices, resulting in a complex, rich texture. Many pedal changes, these are marked. 5 pages. |
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Robbins, Carol, Nino's Waltz |
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Nino's Waltz |
1 Available |
An original composition for beginner-intermediate pedal harp by Carol Robbins. This work, inspired by composer Nino Rota, is in waltz form and includes pedal markings. The piece consists of left-hand octaves on the downbeat and a melody in half-notes and eighth notes in the right-hand. |
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An original composition for beginner-intermediate pedal harp by Carol Robbins. This work, inspired by composer Nino Rota, is in waltz form and includes pedal markings. The piece consists of left-hand octaves on the downbeat and a melody in half-notes and eighth notes in the right-hand. |
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Saint-Saens; arr. Attl, Le Cygne (The Swan) for Four Harps |
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Le Cygne (The Swan) for Four Harps |
4 Available |
Camille Saint-Saens' Le Cygne (The Swan) arranged for four harps by Kajetan Attl and edited and revised by Paul Hurst. This harp ensemble arrangement is suitable for intermediate-advanced pedal harpists. |
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Camille Saint-Saens' Le Cygne (The Swan) arranged for four harps by Kajetan Attl and edited and revised by Paul Hurst. This harp ensemble arrangement is suitable for intermediate-advanced pedal harpists. |
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Scarlatti; arr. Daniel Burton, Sonatas |
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Sonatas |
1 Available |
A collection of transcriptions of sonatas by Domenico Scarlatti by Daniel Burton. Although he was born in Naples, Domenico Scarlatti composed the majority his keyboard sonatas in Madrid while in the service of Maria Barbara, wife of the Spanish crown prince. |
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A collection of transcriptions of sonatas by Domenico Scarlatti by Daniel Burton. Although he was born in Naples, Domenico Scarlatti composed the majority his keyboard sonatas in Madrid while in the service of Maria Barbara, wife of the Spanish crown prince. |
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Schuecker, Etuden und Melodien Album Vol. 1 |
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Etuden und Melodien Album Vol. 1 |
2 Available |
Etudes and Short Pieces for Harp by Edmund Schuecker is a collection of elementary studies and transcriptions of Mozart, Schumann, Mendelssohn, Bertini, Schuecker, Gluck and others. These studies are suitable for intermediate or intermediate-advanced pedal harpists. |
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Etudes and Short Pieces for Harp by Edmund Schuecker is a collection of elementary studies and transcriptions of Mozart, Schumann, Mendelssohn, Bertini, Schuecker, Gluck and others. These studies are suitable for intermediate or intermediate-advanced pedal harpists. |
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Snoer, Johannes, 15 Etudes Dans Style Brillant |
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15 Etudes Dans Style Brillant |
1 Available |
15 Etudes Dans Style Brillant, Op. 40 composed by Johannes Snoer. These studies can be played as a series of solos or used to enhance intermediate-advanced pedal harpists' technical abilities. A really great resource for classically trained pedal harpists. |
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15 Etudes Dans Style Brillant, Op. 40 composed by Johannes Snoer. These studies can be played as a series of solos or used to enhance intermediate-advanced pedal harpists' technical abilities. A really great resource for classically trained pedal harpists. |
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