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Rodgers and Hammerstein; arr. Pool, South Pacific

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A medley for two intermediate pedal harps
2 Available

This is a harp ensemble medley from Rodgers and Hammerstein's Broadway musical, South Pacific. Ray Pool has blended four favorite songs from this popular musical into a seamless piece that works wonderfully for this instrumentation. Both the Harp I and Harp II parts are fairly simple in terms of notes, but both have some occasionally tricky pedal changed. A full score and separate parts for both Harp I and Harp II are included. Arranged at the early intermediate level. Score: 7 pages. Harp I / Harp II parts: 11. pages.

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This is a harp ensemble medley from Rodgers and Hammerstein's Broadway musical, South Pacific. Ray Pool has blended four favorite songs from this popular musical into a seamless piece that works wonderfully for this instrumentation. Both the Harp I and Harp II parts are fairly simple in terms of notes, but both have some occasionally tricky pedal changed. A full score and separate parts for both Harp I and Harp II are included. Arranged at the early intermediate level. Score: 7 pages. Harp I / Harp II parts: 11. pages.

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Rodgers and Hart; arr. Beverly Myrow, Blue Moon for Two Pedal Harps

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Blue Moon for Two Pedal Harps
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Spice up your harp ensemble performances with this really fun, great arrangement for pedal harp of this great tune! Harp 2 is sight readable by the intermediate to upper intermediate pedal harpist, Harp 1 is a little more challenging. Arranger Beverly Myrow is a seasoned pedal harpist, Julliard trained, and has an ear for unique modern harmonies.

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Spice up your harp ensemble performances with this really fun, great arrangement for pedal harp of this great tune! Harp 2 is sight readable by the intermediate to upper intermediate pedal harpist, Harp 1 is a little more challenging. Arranger Beverly Myrow is a seasoned pedal harpist, Julliard trained, and has an ear for unique modern harmonies.

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Rohoziniski, Quatre Pieces pour Flute et Harpe

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Duets for flute and pedal harp
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Rohozinski (1886 - 1938) was born in Russia and raised in Paris, France during the height of the impressionist era in music. He studied with Vincint d'Indy. His set of pieces for flute and harp date from 1926 and display a refined language of subtle emotion that is very personal and distinctive. The music is well and effectively written for harp. Early advanced level.

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Rohozinski (1886 - 1938) was born in Russia and raised in Paris, France during the height of the impressionist era in music. He studied with Vincint d'Indy. His set of pieces for flute and harp date from 1926 and display a refined language of subtle emotion that is very personal and distinctive. The music is well and effectively written for harp. Early advanced level.

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Rosetti, Six Harp Sonatas - Rosetti

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Six Rosetti Sonatas arranged for solo pedal harp
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Six Harp Sonatas by Rosetti edited for solo pedal harp by Susan McDonald. These early classical sonatas are great for building technique and are fun to play. For advanced intermediate level. 42 pages.

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Six Harp Sonatas by Rosetti edited for solo pedal harp by Susan McDonald. These early classical sonatas are great for building technique and are fun to play. For advanced intermediate level. 42 pages.

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Rossini, G. trans. Aptommas, La Charite

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Piece for chorus and piano transcribed for solo pedal harp
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La Charite (charity) was originally the third of a group of sacred choir pieces written by Rossini in 1844 for women's chorus and piano. This transcription is arranged in three sections: the cantabilie arpeggiandi opening in Eb major has left hand arpeggios with a lovely and memorable melody in right hand chords, then an arpegggio section in Ab major, then the opening section returns with an accompniment in repeated chords. Late intermediate level pedal harp writing.

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La Charite (charity) was originally the third of a group of sacred choir pieces written by Rossini in 1844 for women's chorus and piano. This transcription is arranged in three sections: the cantabilie arpeggiandi opening in Eb major has left hand arpeggios with a lovely and memorable melody in right hand chords, then an arpegggio section in Ab major, then the opening section returns with an accompniment in repeated chords. Late intermediate level pedal harp writing.

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