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Moss, Steve, How To Regulate Your Lever Harp, Book One: The Loveland Lever Paperback Edition

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How To Regulate Your Lever Harp, Book One: The Loveland Lever Paperback Edition
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In the How to Regulate Your Lever Harp series, master harp technician Steve Moss provides step by step instructions on how to service and maintain your lever harp to keep it sounding its best. This first volume of the series focuses on the Loveland lever, one of the most popular and widely used sharping levers on the market. In addition to clear descriptions of the regulation process, and lots of photographs and illustrations, this book provides information on common minor repairs, such as stripped screw holes, and also offers a section on basic music notation and theory information, making it useful for musicians as well as non-musicians. Format: print paperback. 77 pages.

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In the How to Regulate Your Lever Harp series, master harp technician Steve Moss provides step by step instructions on how to service and maintain your lever harp to keep it sounding its best. This first volume of the series focuses on the Loveland lever, one of the most popular and widely used sharping levers on the market. In addition to clear descriptions of the regulation process, and lots of photographs and illustrations, this book provides information on common minor repairs, such as stripped screw holes, and also offers a section on basic music notation and theory information, making it useful for musicians as well as non-musicians. Format: print paperback. 77 pages.

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Moszkowski, Moritz; arr. Schuecker, Serenata, Opus 15

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Moszkowski piano work transcribed for solo pedal harp
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Moritz Moszkowski, a German pianist-composer, enjoyed early success in his career by writing some of the most popular piano compositions of the late 19th century, the Serenata in particular. This piece, with its delightful melodies and sparkling effects, obviously could carry its appeal beyond the piano. Serenata was transcribed by the Viennese harpist Edmund Schuecker. It's a showy concert piece in duple dance rhythm in Db major.

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Moritz Moszkowski, a German pianist-composer, enjoyed early success in his career by writing some of the most popular piano compositions of the late 19th century, the Serenata in particular. This piece, with its delightful melodies and sparkling effects, obviously could carry its appeal beyond the piano. Serenata was transcribed by the Viennese harpist Edmund Schuecker. It's a showy concert piece in duple dance rhythm in Db major.

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Mozart, W.A. and Benedetto, Marcello; arr. Thomas Lyman, Alleluia/The Heavens Declare

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Alleluia/The Heavens Declare
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These lovely arrangements by Thomas Lyman for three harps are perfect for any harp ensemble. Full score with individual harp parts included. Lever changes are marked.

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These lovely arrangements by Thomas Lyman for three harps are perfect for any harp ensemble. Full score with individual harp parts included. Lever changes are marked.

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Mozart, W.A.; arr. Maria Luisa Rayan-Forero, Sonata in F, K332

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Sonata in F, K332
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This charming sonata, originally composed for piano by Wolfgang Amadeus Mozart, is expertly arranged for the advanced pedal harpist by internationally renowned Argentinean harpist and arranger Maria Luisa Rayan-Forero.

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This charming sonata, originally composed for piano by Wolfgang Amadeus Mozart, is expertly arranged for the advanced pedal harpist by internationally renowned Argentinean harpist and arranger Maria Luisa Rayan-Forero.

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Mozart, W.A.; arr. Sue Ann Kahn and Susan Jolles, Mozart Sonata in G, K283; arranged for flute and harp

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Mozart Sonata in G, K283; arranged for flute and harp
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This virtuosic sonata for piano is among Mozart's most sophisticated and advanced sonatas. This arrangement by Sue Ann Kahn and Susan Jolles provides both the harpist and flautist with an idiomatic arrangement that respects the original articulation and phrasing of Mozart's composition.

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This virtuosic sonata for piano is among Mozart's most sophisticated and advanced sonatas. This arrangement by Sue Ann Kahn and Susan Jolles provides both the harpist and flautist with an idiomatic arrangement that respects the original articulation and phrasing of Mozart's composition.

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