Bizet; arr. Felice Pomeranz, Nadir's Romance |
 |
|
|
|
| Opera melody arranged for solo pedal harp |
| 1 Available |
A great moment in opera from The Pearl Fishers by Georges Bizet. Gorgeous arrangement by Felice Pomeranz for intermediate level pedal harpists. Full of compelling harmonic progressions and sweeping glissandi. A wonderful addition for your gig repertoire or for your own enjoyment. Several pedal changes, these are marked. 6 pages. |
|
|
A great moment in opera from The Pearl Fishers by Georges Bizet. Gorgeous arrangement by Felice Pomeranz for intermediate level pedal harpists. Full of compelling harmonic progressions and sweeping glissandi. A wonderful addition for your gig repertoire or for your own enjoyment. Several pedal changes, these are marked. 6 pages. |
|
|
Bizet; arr. Robert Swain, Habanera from Carmen |
 |
|
|
|
| Habanera from Carmen |
| Available |
One of opera's most passionate and sultry arias arranged for harp ensemble (four harps - parts can be divided to add more harpists). |
|
|
One of opera's most passionate and sultry arias arranged for harp ensemble (four harps - parts can be divided to add more harpists). |
|
|
Bochsa & Swanson; ed. Carl Swanson and Judy Ross, Bochsa Revisited: 40 Easy Etudes, Op. 318 Volume 1 for Lever Harp with an Additional 20 Etude Variations |
 |
|
|
|
| Bochsa Revisited: 40 Easy Etudes, Op. 318 Volume 1 for Lever Harp with an Additional 20 Etude Variations |
| 2 Available |
Bochsa's 40 easy etudes have been the backbone of harp technique since they were written nearly 200 years ago. Editor Carl Swanson has arranged these etudes for lever harp and combined these wonderful etudes with variations and technical tips in what is sure to be a fundamental resource for any beginning to intermediate player to develop and perfect harp technique. |
|
|
Bochsa's 40 easy etudes have been the backbone of harp technique since they were written nearly 200 years ago. Editor Carl Swanson has arranged these etudes for lever harp and combined these wonderful etudes with variations and technical tips in what is sure to be a fundamental resource for any beginning to intermediate player to develop and perfect harp technique. |
|
|
Bochsa & Swanson; ed. Carl Swanson and Judy Ross, Bochsa Revisited: 40 Easy Etudes, Op. 318 Volume 1 for Pedal Harp with an Additional 20 Etude Variations |
 |
|
|
|
| Bochsa Revisited: 40 Easy Etudes, Op. 318 Volume 1 for Pedal Harp with an Additional 20 Etude Variations |
| 2 Available |
Bochsa's 40 easy etudes have been the backbone of harp technique since they were written nearly 200 years ago. Editor Carl Swanson has combined these wonderful etudes with variations, pedal changes and technical tips in what is sure to be a fundamental resource for any beginning to intermediate player to develop and perfect harp technique. |
|
|
Bochsa's 40 easy etudes have been the backbone of harp technique since they were written nearly 200 years ago. Editor Carl Swanson has combined these wonderful etudes with variations, pedal changes and technical tips in what is sure to be a fundamental resource for any beginning to intermediate player to develop and perfect harp technique. |
|
|
Bochsa, R.N.C., 40 Etudes, Op. 318 Volume 1 |
 |
|
|
|
| 40 Etudes, Op. 318 Volume 1 |
| 3 Available |
Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
|
|
Harpist Robert Nicolas Charles Bochsa (1789-1856) studied at the Paris Conservatoire and was appointed harpist to the Imperial Orchestra in France. A wonderful composer of solo works and operas, he was a renowned teacher and harpist, but his rather questionable personal life (he dabbled in counterfeiting and eventually eloped with the wife of a fellow composer) led to his relocation to London 1817, where he helped to found the Royal School of Music and taught acclaimed harpist Elias Parish-Alvars. |
|
|
|
