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Sheet Music

Printed Music and Instruction Books for the harp.

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Rabens, Julieanne, Classics at Your Fingertips Book 4

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Classics at Your Fingertips Book 4

A collection of classical music solo arrangements by harpist and composer Julietta Anne Rabens designed to provide playable solo material to harp beginners.

At Your Fingertips is a series created for teaching harp to adult beginners. It is designed to teach harp to anyone regardless of musical background and ability. Each student will move at his/her own pace, and there is plenty of reinforcement for each concept to use when needed. The music selected is taken from the classical harp repertoire, as well as from classical music in general. There are also pieces based on harp traditions from around the world and original compositions. There is an emphasis on high quality, expressive music that is comfortable to play.
The arrangements are graded in difficulty throughout the series. The first half of Book 1 uses only finger 2 while the second half introduces fingers 1,3 and 4. Book two introduces playing to to four notes simultaneously in each hand. Book three introduces replacing fingers on the strings when changing direction and special techniques. Book four introduces cross-overs, ornamentation, frequent pedal and lever changes and stretches.
Book 4 is 51 pages
Click here to see Classics at Your Fingetips Book 1
Click here to see Classics at Your Fingertips Book 2
Click here to see Classics at Your Fingertips Book 3

Contents
Siciliano (J.S. Bach)
Italian Concerto (J.S. Bach) - Allegro animato, Andante molto espressivo, Presto
Sonatina (Muzio Clementi) - Allegro, Andante, Vivace
Footprints in the Snow (Claude Debussy)
Reverie (Claude Debussy)
Sakura (arr. Julieanne Rabens)
Ecuadorian Meditation (Julieanne Rabens)
Variations on a Swiss Air (Ludwig van Beethoven)
The Storyteller (Julieanne Rabens)
Sonata Themes (C.P.E. Bach) - Adagio un poco, Allegro
Solitary Flowers (Robert Schumann)
Elegie (Jules Massenet)
Concerto for Flute and Harp (W.A. Mozart) - Allegro, Andantino, Rondo Allegro
Andantino Espressivo (Giovanni Battista Pescetti)
Psaume from the Church at Geneva (Franz Liszt)

Chaloupka, Stanley, Classics Book III for Harp Ensemble

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Classics Book III for Harp Ensemble

Transcription for two harps by Stanley Chaloupka, former principle harpist of the Los Angeles Philharmonic.
Suitable for advanced pedal harpists.

Contents
J.S. Bach, Siciliano from Sonata Eb
Toccata and Fugue in D minor
Preludio from 6th Violin Sonata

Burton, Daniel (arr.), Classics for Flute (Violin) and Harp

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Easy arrangements of familiar pieces for flute/violin and harp

Traditional and classical pieces arranged for harp and flute or violin. These familiar pieces would be great for a young duo, just getting started, or for more advanced players looking for accessible arrangements. The harp part is at an early intermediate level with mainly chords and basic arpeggio patterns. Includes harp part in score format, a flute part and a violin part. Score 12 pages.

Includes:
Dance of the Blessed Spirits - Christoph Gluck
Adagio for Clarinet Concerto - W. A. Mozart
The Lord is my Shepherd - Jesse Irvine
Simple GIfts - Trad. Shaker Melody

Bird, Chuck & Peters, Susan, Classics for Pedal-Free Harp Book & CD

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Large collection of classical melodies arranged for lever harp

This book contains 41 well known melodies from classical music. Arranged at the intermediate level for lever harp.
Comes with a companion CD of the music. Great for gig work no matter if you play pedal or lever harp, this book could help you satisfy requests for music you won't find in most harp collections.

Includes:
Bach - Preludio No. 11, Anglaise, March, Minuet in G Major, Gavotte
Haydn - Contredanse, Sonatina in G Major
Mozart - Spring Song, Minuet in E Flat
Chopin - Nocturne
Debussy - Reverie
Tchaikovsky - Old French Song, German Song, Piano Concerto No. 1 (Theme)
Beethoven - Scotch Dances, Landler, Victory Theme
Offenbach - Theme from Orpheus in the Underworld, Barcarolle
Korsakov - Dance of the Buffoons
Schumann - The Wild Horseman
J. Strauss - Wine Women and Song, The Emporer Waltz
Brahms - Lullaby
Kunz - Three Canons
Clarke - Jig
MacDowell - To a Wild Rose
Drdla - Souvenir
Gluck - Gavotte from Iphigenia in Aulis
Neefe - Alegretto Scherzando
Rameau - Tambourine
Lemare - Cathedral Meditation
VonSuppe - Light Cavalry Overture
Sibelius - Finlandia (Theme)
Dvorak - Humoresque
Lehar - Merry Widow Waltz
Ghys; Amaryllis
Benedict - Carnival of Venice
Gliere - Russian Sailor's Dance
Waldteufel - The Skater's Waltz
Grieg - Norwegian Dance

Chertok, Pearl, Classics For Troubadour

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Four easy classical solos for lever harp arranged by Pearl Chertok

Four solos arranged by Pearl Chertok for advanced beginner to early intermediate lever harp, also playable on pedal harp. Lever changes are not marked. 4 pages on 9" x 12.5" quality paper.

Includes:
G.F. Handel - March
A. Scarlatti - Sonata in C major
J.S. Bach - Polonaise in G minor
Couperin - Les Vieleux et Les Gueux

Brundage, Barbara, Classics on Request, vol. 1

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Classical favorites transcribed for lever harp by Barbara Brundage

Favorite classical pieces skillfully arranged by Barbara Brundage. And you thought you'd have to have a pedal harp to play theses pieces! These arrangements are for intermediate lever harpers, and have lever changes in each piece. Transcribed for harps tuned to three flats, but players with harps tuned to C major can play all but 2 pieces. 21 pages, spiral-bound. These transcriptions are playable on but not ideal for pedal harp. Great resource for gigs!

Includes:
Beethoven Fur Elise
Satie Premiere Gymnopedie
Debussy La Fillie aix cheveux de lin (Maid with the Flaxen Hair)
Massenet Meditation from Thais
Puccini Musetta's Waltz, O Mio Babbino Caro
Chopin Prelude
Granados Andaluza
Bach Arioso

Click here for Classics on Request, vol. 2
Click here for Classics on Request, vol. 3

Brundage, Barbara, Classics on Request, vol. 2

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More classical favorites transcribed for lever harp by Barbara Brundage

A second collection of famous classical solos brilliantly arranged for lever harp by Barbara Brundage. Volume 2 contains arrangements of some of the most well-known and beloved tunes. Many lever changes, but every one is well worth the effort, you will emerge a more skillful harper with more tunes to your credit. Playable on pedal harp. 26 pages.

Includes:
Beethoven Moonlight Sonata
Vivaldi Spring
Chopin Nocturne Op. 9 no. 2
Chopin Moderato Cantibile
J.S. Bach Bouree from Cello Suite in C
Schubert Ave Maria
Offenbach Barcarolle
Rimsky-Korsakov Themes from Scheherazade

Click here for Classics on Request, vol. 1
Click here for Classics on Request, vol. 3

Brundage, Barbara, Classics on Request, vol. 3

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Famous classical pieces transcribed for lever harp by Barbara Brundage

A lovely collection of famous Classical and Romantic era pieces for intermediate lever harpists, but could also be played by pedal harpists. 27 pages

Contents:
Mozart Themes from "Eine Kleine Nachtmusik"
J.S. Bach, Gounod Ave Maria
Mendelssohn On Wings of Song
Mascagni Intermezzo from "Cavalleria Rusticana"
Albeniz Tango and Rumores de la Caleta

Click here for Classics on Request, vol. 1
Click here for Classics on Request, vol. 2

Renie, H., Classiques de la Harpe, Coll. 11

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Classiques de la Harpe, Coll. 11

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.
21 pages

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XII

Volume XI
Contents
J.S. Bach (1685-1750) Dix Pieces

Renie, H., Classiques de la Harpe, Coll. 12

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Classiques de la Harpe, Coll. 12

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.
22 pages

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI

Volume XII
Contents
J.S. Bach (1685-1750) Dix Preludes, Clavecin Bien Tempere

Renie, H., Classiques de la Harpe, Coll. 2

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Classiques de la Harpe, Coll. 2

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Volume II
Contents
Daquin (1694-1772) - L'Hirondelle
Zipoli (1687-?) - Sarabande et Gigue
Scarlatti (1685-1757) - Piéce en Ré
Lully (1632-1687) - Célébre Gavotte en Rondeau (Ballets du Roy)
Mendelssohn (1809-1847) - Barcarolle (Romance sans Paroles No. 6)
Chopin (1810-1849) - Préludes no. 20 et 23

Renie, H., Classiques de la Harpe, Coll. 3

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Classiques de la Harpe, Coll. 3

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.
19 pages

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Contents
Volume III
Rameau (1683-1764) - Tambourin: Les Fetes d'Hebe
Daquin (1694-1772) - Le Coucou
Beethoven (1770-1827) - Adagio, Sonate au Clair de Lune
J.S. Bach (1685-1750) - Bourrée, Suite en Ut pour Violincelle
Schubert (1797-1828) - Moment Musical No. 3

Renie, H., Classiques de la Harpe, Coll. 4

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Classiques de la Harpe, Coll. 4

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.
15 pages

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Volume IV
Contents
Paradisi (1710-1792) Toccata 4th Sonate pour Clavecin
Mozart (1756-1791) Sonate Facile en Ut (Sonata in C Major)

Renie, H., Classiques de la Harpe, Coll. 6

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Classiques de la Harpe, Coll. 6

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Volume VI
Contents
Couperin (1668-1733) - Tic-Toc-Choc ou Les Maillotins
Händel (1685-1759) - Gavotte variée (2nd Receuil 8th Suite)
Beethoven (1770-1827) - Adagio (Sonata Pathétique)
Chopin (1810-1849) - Prélude No. 2

Renie, H., Classiques de la Harpe, Coll. 8

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Classiques de la Harpe, Coll. 8

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.
15 pages

Click here to see Classiques de la harpe Vol I
Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Volume VIII
Contents
Liszt (1811-1886) Consolations No. 2
Dagincourt (1680-1758) L'Etourdie
Scarlatti (1685-1757) Allegrissimo
Mendelssohn (1809-1847) Fileuse

Renié, H., Classiques de la Harpe, Coll. I

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Classiques de la Harpe, Coll. I

Henriette Renié (1875-1956) was a French harpist, composer and pedagogue. She studied harp at the Paris Conservatory - beginning lessons at the age of 9 - with the legendary Alphonse Hasselmans, who also taught Marcel Grandjany (1891-1975) and Carlos Salzedo (1885-1961).
After receiving the Premier Prix for harp at the age of twelve, Renié began counterpoint lessons at the Paris Conservatory, where she was the only female in the class. Renié career as a harpist included a rigorous teaching schedule (Harpo Marx numbered among one of the many students who traveled to France to study with her albeit briefly). She also published the Complete Method for the Harp in order to pass on her teaching and performance methods.
Renié transcribed many keyboard works for harp. These she published in a 12 volume set entitled Les classiques de la harp. These collections included work from the Baroque, Classical, and Romantic eras and were intended to expand the harp repertoire while simultaneously serving as teaching pieces.

Click here to see Classiques de la harpe Vol II
Click here to see Classiques de la harpe Vol III
Click here to see Classiques de la harpe Vol IV
Click here to see Classiques de la harpe Vol VI
Click here to see Classiques de la harpe Vol VIII
Click here to see Classiques de la harpe Vol XI
Click here to see Classiques de la harpe Vol XII

Volume I
Contents
Rameau (1683-1764) - Musette (Les Indes Galantes); Menuet (Castor et Pollux); Menuets (Platée)
Marin Marais (1656-1728) - Romance et Rondeau
Daquin (1694-1772) - La Mélodieuse
Beethoven (1770-1827) - Andante (Sonata in G major)
Haydn (1732-1809) - Menuet (33rd Suite)

Bach; arr Burton, Clavier Book Selections

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Clavier Book Selections

A collection of arrangements by Daniel Burton of works from the Clavier Book for Wilhelm Friedemann Bach composed by J.S. Bach. Bach originally composed this collection of music for his eldest son, Wilhelm. The music of J.S. Bach is quite complex and can be difficult to transcribe for harp. This collection is unique in that the arrangements are suited for intermediate level pedal harpists and are a wonderful opportunity for harp students to experience the work of J.S. Bach.
12 pages

Contents
Prelude in C
Menuet
Air Italien
Prelude in F
Courante (J.C. Richter)

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