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Tullar, Grant; arr. Christina Marshall, Face to Face

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Face to Face
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An elegant and flowing arrangement of Grant C. Tuller's "Face to Face" arranged for the intermediate lever or pedal harpist by Christina Marshall. 3 pages, lever changes are marked.

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An elegant and flowing arrangement of Grant C. Tuller's "Face to Face" arranged for the intermediate lever or pedal harpist by Christina Marshall. 3 pages, lever changes are marked.

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Desenclos, Alfred, Fantaisie

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Fantaisie
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Fantaisie for solo harp composed by Alfred Desenclos (1912-1971). This work is suitable for the advanced pedal harpist.

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Fantaisie for solo harp composed by Alfred Desenclos (1912-1971). This work is suitable for the advanced pedal harpist.

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Servais; ed. Dominique Piana, Fantaisie pour le Violoncelle avec accomp. de Piano ou Harpe, Op. 1

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Fantaisie pour le Violoncelle avec accomp. de Piano ou Harpe, Op. 1
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This work for cello and piano or harp was composed by virtuosic cellist Francois Servais, who was friendly with the Godefroid brothers (both harpists and composers). This beautiful composition features the cello very prominently, while the harp plays a more standard accompaniment role. Edited by Domonique Piana, this piece is sure to become a concert staple of the harp and cello repertory.

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This work for cello and piano or harp was composed by virtuosic cellist Francois Servais, who was friendly with the Godefroid brothers (both harpists and composers). This beautiful composition features the cello very prominently, while the harp plays a more standard accompaniment role. Edited by Domonique Piana, this piece is sure to become a concert staple of the harp and cello repertory.

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Grandjany, Marcel, Fantaisie Sur un theme de J. Haydn

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Brilliant set of theme and variations for pedal harp
3 Available

This energetic set of variations has become a standard in the pedal harp repertoire. Begins with a quasi cadenza introduction that contains hints of the theme, followed by a simple statement of the theme. Then an allegretto variation using scales and arpeggios followed by a piu vivo variation with running sixteenth notes. The third variation is in the minor at an allegro tempo and has right hand cross under arpeggios with the melody in the left hand. Next is the allegretto grazioso with left hand harmonics. The fifth and last variation is a brilliant allegretto with cross finger placements and scales that lead to a dramatic climax followed by a short coda. The variations are only one or two pages each, making the whole piece a balanced length for the listener. Appropriate for the advanced intermediate level player; about at the same level as the Handel B flat Concerto for Harp. 12 pages

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This energetic set of variations has become a standard in the pedal harp repertoire. Begins with a quasi cadenza introduction that contains hints of the theme, followed by a simple statement of the theme. Then an allegretto variation using scales and arpeggios followed by a piu vivo variation with running sixteenth notes. The third variation is in the minor at an allegro tempo and has right hand cross under arpeggios with the melody in the left hand. Next is the allegretto grazioso with left hand harmonics. The fifth and last variation is a brilliant allegretto with cross finger placements and scales that lead to a dramatic climax followed by a short coda. The variations are only one or two pages each, making the whole piece a balanced length for the listener. Appropriate for the advanced intermediate level player; about at the same level as the Handel B flat Concerto for Harp. 12 pages

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Marson, John, Fantasia

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Solo for advanced level pedal harp
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A fantasia for pedal harp. Written by a harpist, so the notes lie well under your fingers. Music is in a fast tempo and has a more melodic middle section, closing with an Allegro vivo section. For strong intermediate to advanced level pedal harp. Pedal changes are marked. 15 pages.

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A fantasia for pedal harp. Written by a harpist, so the notes lie well under your fingers. Music is in a fast tempo and has a more melodic middle section, closing with an Allegro vivo section. For strong intermediate to advanced level pedal harp. Pedal changes are marked. 15 pages.

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